A Quote by Laurene Powell Jobs

I've always had this idea that you have to make the most of things. — © Laurene Powell Jobs
I've always had this idea that you have to make the most of things.
Nothing is impossible. Whatever idea comes up, we always try to make it. Sometimes it doesn't work because it's just not technically achievable. But you can always make things better, more contemporary with the construction, the inside, the weight, and all of that.
I've always found that the best things I've ever written, or the things I like the most that I've written, are things where it's a pure idea, and you just follow it and put it down and see if it works.
Most new discoveries are suddenly-seen things that were always there. A new idea is a light that illuminates presences which simply had no form before the light fell on them.
I've realized the person that I've always been and this gift that I've always had just had to be brought to light. It surprised me the most that being more who I am and not who I thought I had to be would make me successful.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
I grew up in this room filled with musical instruments, but most importantly, I had a family who encouraged me to invest in my own imagination, and so things I created, things I built were good things to be building just because I was making them, and I think that's such an important idea.
Now, ideas are the raw material of progress. Everything first takes shape in the form of an idea. But an idea itself is worth nothing. An idea, like a machine, must have power applied to it before it can accomplish anything. The men who have won fame and fortune through having an idea are those who devoted every ounce of their strength and every dollar they could muster to putting it into operation. Ford had a big idea, but he had to sweat and suffer and sacrifice to make it work.
I had this idea about terrible things happening to orphans, and I knew it was such a horrible idea that the idea of writing it down and then submitting it professionally was obviously absurd.
I love the idea of things being strict and things being uniform. That's the reason why I surround each collection with humor or irony. I want to make sure that it's not too serious and that there is some element that throws it off because otherwise that would make it really boring. There's always a story that's somewhat fantastical.
I've always had this idea that I wanted movies to make people better not worse.
I never said I had no idea about most of the things you said I said I had no idea about.
I don't feel bound by the ebbs and flows of musical trends, or what's happening with new music in general. I always had a fascination with that sound. It's a mixture of the idea that something could be going wrong along with the idea of bending constrained, Westernized music out of tune. But because I wasn't copying an idea, and it just came from somewhere inside me, it felt like a birth of something that most people didn't understand at the time.
To be honest, I've always had far too much freedom. I had a job when I was 10. I started living on my own when I was 17 or 18. I've earned my own money; I've traveled the world. What would I rebel against? I've had so much freedom, sometimes it was hard. My parents wanted to protect me, but they had no idea how to. I had to learn as I went and make my own mistakes. I went from being totally unknown and never acting professionally to being in a major movie and being very famous. It all happened so quickly, I didn't have any time to work things out. It's been pretty scary at times.
I always wanted to make 'Freedom,' but I had to drop the idea due to financial crisis.
I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.
I always believed in God, I would go to mass most of the time, but I had no idea of the calling to holiness.
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