A Quote by Laurie Anderson

I really trust audiences as having excellent taste, for the most part. — © Laurie Anderson
I really trust audiences as having excellent taste, for the most part.
But when I do book signings and personal appearances, the audiences are mostly white. Growing up here, I expected that and understand it. Black audiences won't come out for a white writer for the most part. It really is just a fact of life.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.
I am always excited about playing in front of live audiences because I really enjoy it, for the most part.
Trust me, the being-dead part is much easier than the dying part. If you can watch much television, then being dead will be a cinch. Actually, watching television and surfing the Internet are really excellent practice for being dead.
Excellence is everything today, and most people aren't excellent. If you're not excellent - like truly excellent at what you do - you're toast.
A well arranged scrapbook, filled with choice selections, is a most excellent companion for anyone who has the least literary taste.
I would describe Los Angeles as actually not having taste. In New York, there's taste. But you have to remember that taste is censorship. It's a form of restriction.
Yves Saint Laurent is a young man of excellent taste; the more he copies me the more taste he displays.
The trick is to have my own particular taste and feel for the theater to audiences who have been used to one particular style and taste for nearly 40 years.
When it comes to locations, I'm one of those crazy authors who has to see it, touch it, taste it, before I trust myself to recreate it for my readers. Having said that, visiting a locked-down pediatric psych ward was the most intimidating research I've ever done - and I've visited maximum security prisons, shooting galleries, bone collections, etc.
Trust doesn't come haphazardly. It really has to be built over time. And that trust has to happen really at times when there isn't a crisis. That's why I think having regular meetings and conversation when there's no crisis, when you can build trust and a friendship and a relationship that allows for better dialogue and far more consequential deal-making can occur when a crisis does come up.
There's a really high emphasis on having good taste in my household and having nuanced opinions. We're always critically analyzing stuff.
For the most part, if you're willing to work hard enough, you can recover from most injuries. Having that mentality really helps you keep moving forward.
The most impersonal seeming audiences eventually just say such intimate, smart, wise, amazing, totally surprising, funny things. It's empowering, in the sense of feeling like you're a part of something really important.
You have to trust yourself, not research. Not testing. Testing helps, but you have to trust your own taste. If your taste says something isn't any good, don't let research rationalize that out of its own truth.
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