A Quote by Laurie Anderson

I really like books that you can kind of hear as much as think about, that are so graphic and visual. — © Laurie Anderson
I really like books that you can kind of hear as much as think about, that are so graphic and visual.
I'm a severe graphic novels junkie. People ask me about it, and I say I like the graphic novels. Comic books are for kids, and graphic novels are for adults. But you can't really separate the two.
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
I don't really care for or that much about Chat Roulette. I think the phenomenon of it and like the first wow factor which was so absolutely insane about Chat Roulette. Certainly that's what inspired me to make that movie but I think that's true for everyone that used Chat Roulette which is why it was such an explosion. Now it's just kind of disappeared. You don't hear much about it anymore.
I think we need to be sexy and kind of mysterious and still pretty and beautiful. I like to hear that when a man sings. I don't really want to hear about taking my clothes off.
I hear some guy teaches a course in diagrammatic thinking now; he's written books on it and stuff like that, and so it was kind of natural for me. Because it was a way in which words naturally fitted into something that's visual. I was always interested in doing that.
The Germans were much more graphical. The expressionism is much more than cinema. It was a movement with artists, painters, music and architecture, so it's really graphic and visual. And the French were something else.
I understand the visual media very well, as I used to write comic books for Walt Disney, and I've written a graphic novel.
The extraordinary thing about comic books and graphic novels is that they cannot exist without the art. If my words disappeared tomorrow, well, whatever. This is a visual medium in which the eye and the mind work together to bear witness to story, to lives.
I don't really think about a visual aspect to the work at all; I just think about making the piece. And everything that occurs visually comes out of the subject matter you are dealing with so that I find it difficult to treat the visual element as a separate entity.
I never think about it much, the visual aspect of it, until we start making the movie. I don't really think about it when we write. When we finish, and I start putting the film together, and we pick the locations, I do think about that a lot.
I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it's kind of like that's never really been my bag. Probably because I'm too shy.
A garter. You’re supposed to take it off and keep it as a memento. K-k-kinda like a trophy for going far sexually with a girl. It’s stupid, really. And kind of d-d-degrading if I think about it too m-m-much.” “I know what it is,” he says, amusement evident in his voice. “I just wanted to hear your explanation.
And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.
I have to read comic books all first, because now when you get into graphic novels, they are definitely in deep graphic.
I understand the visual media very well, as I used to write comic books for Walt Disney, and I've written a graphic novel. How you carry a story in pictures is different than how you do it in text.
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