A Quote by Laurie Halse Anderson
We turned us into wintergirls, and when she tried to leave, I pulled her back into the snow because I was afraid to be alone.
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We held hands when we walked down the gingerbread path into the forest, blood dripping from our fingers. We danced with witches and kissed monsters. We turned us into wintergirls, when she tried to leave, I pulled her back into the snow because I was afraid to be alone.
I'd go to the library so I could sit in a big, quiet room and listen to pages being turned. There was a boring librarian who everyone in fifth grade hated. But I loved her because when she would read us stories in her soft voice, she'd turn my head into a snow globe.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
How else could she know that it needed all the strength of my love for her to leave now and give her back to nature - to let her learn to live alone until she might find her pride - her real pride?
When Rae got back, she spread her empty hands wide and said "Okay, guess where I hid it." She even turned around for me, but I couldn't see a bulge big enough to hide a flashlight. With a grin, she reached down the front of her shirt into the middle of her bra, and pulled out a flashlight with flourish. I laughed. "Cleavage is great," she said. "Like an extra pocket.
Requiescat Tread lightly, she is near Under the snow, Speak gently, she can hear The daisies grow. All her bright golden hair Tarnished with rust, She that was young and fair Fallen to dust. Lily-like, white as snow, She hardly knew She was a woman, so Sweetly she grew. Coffin-board, heavy stone, Lie on her breast, I vex my heart alone She is at rest. Peace, Peace, she cannot hear Lyre or sonnet, All my life’s buried here, Heap earth upon it.
What I really tried to do with Helen was make her show this sad side of her. She was married off at 16, was so young and living in this castle that can't leave because of how she looks, and married to a man she hates and three times her age.
The woman turned and went slowly into the house. As she passed the doors she turned and looked back. Grave and thoughtful was her glance, as she looked on the king with cool pity in here eyes. Very fair was her face, and her long hair was like a river of gold. Slender and tall she was in her white robe girt with silver; but strong she seemed and stern as steel, a daughter of kings.
She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.
She closed her eyes and jumped. For a moment she felt herself hang suspended, free of everything. Then gravity took over, and she plunged toward the floor. Instinctively she pulled her arms and legs in, keeping her eyes squeezed shut. The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. 'Nice', he said. 'As graceful as a falling snowflake.
There was Layla in the fullness of her lips, Lulu in the thick waves of her hair, Lu Xin in the intensity of her hazel eyes, Lucia in their twinkle. She was not alone. Maybe she never would be alone again. There, in the mirror, was every incarnation of Lucinda staring back at her and wondering, "What is to become of us? What about our history, and our love?
But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.
I treat myself like I would my daughter. I brusher her hair, was her laundry, tuck her in goodnight. Most importantly, I feed her. I do not punish her. I do not berate her, leave tears staining her face. I do not leave her alone. I know she deserves more. I know I deserve more.
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide.
She's sun and rain, she's fire and ice, a little crazy, but it's nice. And when she gets mad, you best leave her alone, cause she'll rage like a river then she'll beg you to forgive her.
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