A Quote by Laurie Halse Anderson

I don't reread my books after they're published, because it's agony. — © Laurie Halse Anderson
I don't reread my books after they're published, because it's agony.
I was at Harvard with a whole bunch of poets, and that was very rare. They published a lot of books because there was an excitement after the war that translated into poetry.
I think the reason I've published so few books is that I have a pretty high expectation of self-reinvention between books and I would prefer to have been in this world and published fewer works than I would publishing the books that would reveal the process of the changes.
I was, without a sliver of a doubt, a no-good, lazy slacker of a child, and after I discovered literature, I was totally and utterly a no-good, lazy slacker of a child who read books. A lot of books, good and bad, but my favourite - the books I read and reread in my teens - were by Margaret Weis and Tracy Hickman.
My first four books were not published because nobody wanted them. They were adult books, not kids' books.
As always, a lot of bad books will be published. Some good books will be published, and you have to seek them out.
I don't read a lot of books that were published after 1755. One thing about having friends in New York who belong to the literary world, however, is that I have a steady stream of books coming to the house.
I published so many books, which, for years, didn't get published here in America, at all - and which barely got any attention in England. So it wasn't going to take much to make me feel suddenly famous. So - yeah - after 20 years, I'm an overnight success.
Lists of books we reread and books we can't finish tell more about us than about the relative worth of the books themselves.
I reread "Ball Four" by Jim Bouton, the father of all sports books. Aside from that, and books like?"Out of Their League" by Dave Meggyesy, sports books generally pull their punches.
There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.
The printed word will be around long after many of our digital creations are gone, either because books don't require monthly hosting, and blogs and websites do... or because the languages and platforms for which a particular digital creation was published will become obsolete.
I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
I think one of the things that is essential for happiness in life, or at least for non-sadness, is producing something. I guess that's why I spend so much time and agony writing books. But working on carpentry is sort of like all the pleasure with none of the agony.
When I first learned about Abrams and saw the types of books they were making, I knew I wanted my books to be published by them. Abrams books are special-when you hold one in your hands, you have the feeling that this book needed to be made. I once heard an artist say that books are fetish objects-I think Abrams gets that, because their books demand to be treasured. So who better to give comics art its proper due? I feel privileged to have found a home with Abrams.
I don't reread my books.
Of all my childhood books, 'The Giving Tree and Hope for the Flowers' really did change my early world, but after reading 'Momo' in my 30s, I thought, Ahhhhhh, this is the one book I wish I had read as a kid! Then reread at every subsequent chapter of my life.
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