A Quote by Laurie Hernandez
When you're a little kid, and you're, like, thinking about the Olympics, and you just have this big expectation, it just lived up exactly to that.
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Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.
I love thinking, I love coming up with great ideas. I just get excited. Sometimes if I get a big idea, I'm just like a kid, like I've found a new toy.
Big moments like the Olympics tend to freeze things in place. It's just very hard to break through the news cycle with peoples's eyes on the Olympics. That's even more true with the concerns about Zika and terrorism.
I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it.
I think more about clicking the teeth, because I have to line them up just exactly right, and then I slam them down so they exactly meet. And I think I worry about that too much. I'm not thinking about remembering. Like, "Wow, that was a great moment went my son went trick-or-treating": click. "What was I supposed to remember?" That sort of thing.
Ever since I was a little kid, I always dreamed of being a Big City kid, because I grew up in a very small town up north in Canada. I have to say I just love the city lights at night.
I couldn't believe just how emotional I was about the London Olympics. Before the Games even started, I was reading a newspaper sitting in a hair salon and my mom looked over at me and I was just sobbing, because something about seeing the rings and hearing the athletes' excitement and just kind of knowing exactly what they were going through.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
I was a big kid my whole life. I grew up among big people. My brother was a big kid. I didn't really feel like a big kid. Except for the teachers, who pretty much didn't want me to squish any of the other kids.
When I was in high school, I was in a special math class. I was infatuated with physics, particularly nuclear physics, Einstein, and the Big Bang. I read a lot about black holes. And partly because I'm so lazy I thought you could do all this just by looking at the sky and thinking up universes. It didn't seem like hard work when I was a kid, so I enrolled in this class.
The Olympics are just different. I'm not sure why; the pipe's the same size, the board you're riding is the same, you're competing against pretty much the same people. But the Olympics is the Olympics, and I know it's a really big deal.
When I was a kid growing up in the '60s, music was an outlet for enlightenment, frustration, rebellion. It was more about individualism. Today it's just like a big business.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
The Olympics, as a little kid, it was such a big goal that I created for myself, and I was able to push through and make that happen.
At the end of the day, I'm riding a little kid's bike around a track; that's what I've done for as long as I can remember. Now it's just on a bigger stage at the Olympics.
I was thinking about vampires and, specifically, about what makes vampires a romantic trope: about what people like about not just vampires but supernaturally long-lived creatures in general, which is a thing that shows up in probably fifty to sixty percent of paranormal romances... And then, for some reason, I decided to reverse it.
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