A Quote by Laurie Holden

I thought it would fit a niche. I didn't anticipate, nor do I think anybody did, that it would become this global phenomenon, the way that it has. The critics have been so kind and favorable, it has really garnered such wonderful praise, and the numbers have been through the roof. It's actually been quite surreal. I'm still pinching myself because it's amazing. For me, we went to Atlanta and we spent our summer shooting this little zombie show, and it was ours. It was our sweet little zombie show [The Walking Dead], and the world has embraced us.
'The Walking Dead' do such a great job with that world. It is real, but it's also otherworldly; it's strangely theatrical, and I suddenly did become quite invested in the whole zombie phenomenon.
When 'The Walking Dead' has been its best, all that stuff is happening at once: the emotion, action, horror, scares. I'm very proud that I was able to write an episode where a little zombie girl could walk out of a barn after a horrific zombie execution and have people cry. That's one of the proudest things I've ever done.
To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness.
I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.
I like zombie movies. I like 'The Walking Dead;' I like the metaphor of it, simply because when we go with the zombie concept - if you're bitten by a zombie, you don't transform into something else like a vampire or a werewolf or whatever. You become something that's not you.
I am the lucky duck because I have family . My wonderful aunt and uncle are letting me crash on their couch, which isn't really a couch...I have a room! It's been kind of a blessing for the cast because all of us have gotten so close, not knowing anyone in Atlanta. All the guys on the show have become kind of like brothers, and all of us girls are pretty inseparable.
World War Z was a great zombie film because those were zombie performances. It wasn't just a bunch of people walking around slow. They did close-ups on zombies who were performing, as a mindless dead thing. They were creepy and scary.
Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
Who would have ever thought I'd be afraid of a zombie, any kind of zombie? Nicely ironic that.
You can say that all you want, but even in the little time that I've been in this industry, I've learned that it isn't exactly what you expect, so you've got to have a level head. I thought people would dig it. I thought people would enjoy it. It's AMC. I thought people would be fans. But, I did not think we would be the best new show on television.
Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.
I also love the zombie genre, my zombie fandom going way back to 'Night of the Living Dead.' And 'The Walking Dead' is truly the ultimate representation of that sensibility in the comic book genre.
Burnout is nature's way of telling you, you've been going through the motions your soul has departed; you're a zombie, a member of the walking dead, a sleepwalker. False optimism is like administrating stimulants to an exhausted nervous system.
Also, when we did "Smallville," we didn't have an opportunity to interact with people who watched the show. And see what they had to say and listen to criticism and listen to praise at the same time. So a lot of this is a new experience and it's very interesting and rewarding for us. I think we get honest feedback. You get hate. You get a lot of love as well. And I'm actually very curious what people think of the show. For us, it's been a passion project of ours, and an incredibly challenging show to make.
Let me tell you something: for hundreds of thousands of years, this kind of discussion would have been impossible to have, or those like us would have been having it at the risk of our lives. Religion now comes to us in this smiley-face, ingratiating way — because it’s had to give so much more ground and because we know so much more. But you’ve got no right to forget the way it behaved when it was strong, and when it really did believe that it had God on its side.
They're [zombies] us, you can also have the wrestler zombie, the clown zombie, the Jay Leno zombie and the nun zombie. I've never seen the clown werewolf or vampire. But because zombies are us, at the lowest possible level, they're a lot more versatile for storytelling.
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