A Quote by Laurie Holden

I think women are amazing and womens friendships are like a sisterhood and we should see more of it in television and film. — © Laurie Holden
I think women are amazing and womens friendships are like a sisterhood and we should see more of it in television and film.
I think women are amazing and women's friendships are like a sisterhood and we should see more of it in television and film.
The word 'sister' evokes an ideal of connection and support, like the friendships that made Rebecca Wells's 'Divine Secrets of the Ya-Ya Sisterhood' and Ann Brashares's 'The Sisterhood of the Traveling Pants' into best-selling novels and successful films.
I do make some conscious efforts to write female friendships, intergenerational female friendships. I make a conscious effort to include things that I see as important real parts of my life that are not reflected as much as I think they should be in popular culture. We very seldom have the opportunity to see women compete and remain friends.
I think there is a shift coming. I think we'll see more women in powerful positions, in control of studios, where there'll be more balance. And you'll see more female-driven movies and television shows, without sitting here wondering whether people are gonna like it.
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.
It's wonderful to be appreciated for being quirky, and to see Zooey Deschanel and the quirky, indie film types get mainstream play is amazing for women, because women are much more complicated than what we've see on TV in the past.
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
Great women scholars like Jane Harrison and Gisela Richter were produced by the intellectual discipline of the masculine classical tradition, not the wishy-washy sentimentalism of clingy, all-forgiving sisterhood, from which no first-rate book has yet emerged. Every year, feminists provide more and more evidence for the old charge that women can neither think nor write.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
I think it's very rare that you see girl friendships on television. It's always cattiness and all that drama.
I think where Playground is heading is deeper into that marriage between stage, film and television, with the increasing number of people in the film business working in television, obviously something that we were very influential in starting and doing at HBO. And I think that that's the focus of where I see the company moving forward, continuing to explore that intersection of all that talent.
Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.
I don't think you can be successful in television without appealing to women. I don't think it's possible. I think that men like women. It doesn't really matter what they do - they love anything. But women don't necessarily like every woman, so I think that's a challenge to get the female audience to not only relate to you but also like you.
I definitely am drawn to strong females who are successful, smart women because I am a woman like that. I think it's important to portray those kinds of women on film and television.
When Pat Buchanan came out against the Beijing Women's Conference and there were women standing next to him, smiling and laughing when he was making fun of it, I was so embarrassed. I don't mind when the more liberal or moderate Republican women talk about smaller government or money issues and things of that nature. But when I see a conservative Republican woman in line with the Christian right or coming out against abortion and day-care issues and for taking away womens' aid, I see a self-hating, unenlightened woman, like a self-hating Jew. That blows my mind. I don't get it at all.
But it's amazing how many people think that gay men should slink off into the shadows when it comes to having friendships with children.
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