A Quote by Laurie Holden
I'm just attracted to good material and great characters and that can come in any form, whether it's television or film or a theatre piece.
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I have done some wonderful television, but you know, there's not as much exceptional material as there is in the theatre. So I do a lot of theatre, but really, as with most actors, I just love going from one to another. It's stimulating, it's diverting, it's a different way of life, and you know, I dearly like a good mix.
Fundamentally, whether directing in the theatre or a film, you have to be a good storyteller, regardless of the form. The thing I had to work hardest at was thinking in shots.
If I find great material, or a great character, or a great director that wants to do something on TV, or whether it's in film, or whatever it is, man - as long as it's good, and on the level, I'm open to it.
They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.
My career has taken so many different paths to this point that I've come to realise that we're all the same, everywhere I've been. We're all just creatures trying to tell stories as good as we can, so whether that's in a tiny theatre or as part of the biggest multi-million dollar film, we're all still just trying to tell a good story at the end of the day.
'Liberace's a great film. It's a great piece of material. I have a great script and it's a great score.
I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
I guess I think of a musical as something in which the music is sort of like the engine of the piece - whether it is in the theatre or in film.
Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.
Be it television or film, or theatre, I can modify myself, develop any character and slip into any role.
Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.
My family is not at all involved in television, or film, or theatre, or any of it, really.
I found that the quality of TV material that came to me was so great and was just often better than the film material I got. And when I find a good movie that I really like, I jump on it because it's exciting to do.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
Well, there's two things that happen when people experience something, whether it's a song, a television show, a film, a book or any piece of art. It connects them to a certain part of their life and whatever was going on at that time in their life.
I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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