A Quote by Laurie Metcalf
I tend to root for characters who have a lot of negative qualities, but what's driving them forward is their passion. They're on a mission, and maybe their approach is misguided, but you can't fault them for giving 150%.
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That's the way women do. The frown. They want to give you the attitude to approach them back, by giving you a negative vibe.
A lot of times, women complain about men around them. It's not always someone else's fault. If you're the common denominator in 57 different relationships that didn't work out, then maybe, just maybe... it's you!
I enjoy stories about thin women - I read them frequently. I enjoy them; I root for those characters, but I always feel like there are enough of them out there and there are enough of them in the spotlight.
We writers of series fiction tend to idealize ourselves in our characters, giving them attributes we wish we possessed and ever more interesting lives.
I tend not to approach things intellectually at first. Maybe after the fact i can look at it and see ultimately what it's doing. I start with the characters and their inner lives.
I don't even look at resumes anymore. I think they're misguided. I talk to them, ask them where they've been, "What's your favorite experience in a restaurant?" Where do they like to eat? Blah blah blah. All that stuff, but I can only really describe my journey with another person if I can connect with them and their passion. Otherwise, I don't care where they've worked. It doesn't matter to me. Really I have to feel it, and then I can teach them anything.
I don't look at obstacles as obstacles. I look at them as things that were put there for a reason. You can approach these things negatively or positively. I think those that approach it with a negative mindset only get a negative outcome.
I'm obsessed with 'Peaky Blinders.' Those characters are awful, and yet you root for them. You love them! Same with 'Breaking Bad.'
I tend to approach characters not based on ethnicity but on some unique individual qualities, and I've set my whole life that way. I don't want any sort of limitations imposed on my work. If you truly want to be a creative person, you can't limit yourself.
I tend to use a lot of movement in both camera and characters, and I also tend to give characters a lot to physically do.
But I'm not afraid of the skeletons in Julie's closet. I look forward to meeting the rest of them, looking them hard in the eye, giving them firm, bone-crunching handshakes.
Every mistake that you make, or every thing that you might regret, you don't need to necessarily regret it, because it can be a step forward. You just move forward and let them go because there will be a lot of bad auditions, and there will be a lot of negative responses. But that won't last forever.
We love telling stories about characters who you root for, even though they sometimes make it really hard for you to root for them and the choices they make.
I don't really pity any of my characters. I hold my characters under a harsh fluorescent lamp and ask "Who are you?" I'm not doing their makeup or giving them hairdos. They present themselves to me as they are and then I let them say what they want. Usually they're saying something too honest.
The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.
When I write fiction, I have the illusion of being able to control these fictional worlds and these characters, and to make them say what I want them to say. Of course, the problem is that it is an illusion, and by the end of it you realize that you're not in control of it at all; the characters have taken over, and they're driving the vehicle.
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