A Quote by Laurie Metcalf

I like contemporary, bare-boned writing. I don't like having the language that I barely understand get in the way of me interpreting it over to an audience. It's this barrier that I don't want to have to attack.
To each his own. You like what you like. If you want someone who's big-boned and you like that, ain't nothing wrong with having a little extra meat on there. If you like them thin-boned, then that's okay, too.
I don't really judge. To each his own. You like what you like. If you want someone who's big-boned and you like that, ain't nothing wrong with having a little extra meat on their. If you like them thin-boned, then that's okay too.
If you want someone who's big-boned and you like that, ain't nothing wrong with having a little extra meat on there. If you like them thin-boned, then that's okay, too.
You want the audience to get your movie, and you want the audience to like it. It's as simple as that. If they don't understand what you're trying to say, you've failed. Of course, you can't get 100 percent of the crowd to understand the movie, but you know when you've reached the people you want to reach.
Musicians can travel all over the world and have an audience, because there's no language barrier.
Any time having international interviews is a language barrier, you don't know how much you need to simplify what you're saying for it not to be damaged in translation. But culturally, there are some interesting phenomena. I get the feeling that the way rock music gets described in Germany, it is all like Rolling Stone circa 1975, taken to the 10th power. If you're a rock musician, you're part of the counterculture. Your music is like a critique of everything that is wrong with America.
Once you finish a film, it doesn't belong to you anymore - it belongs to the audience to interpret it the way they feel like interpreting.
I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
I have difficulties with contemporary language. Big difficulties. I counted, you know, something like 160 words have disappeared from the English language because of the use of the word "like." "I'm like, he's like" - not "thought," not "as if ."
I don't care about the bare fact that anyone liked or didn't like a book or movie; they can only interest me in that bare fact by writing an intelligent review.
I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.
I don't like not saying anything. I don't like having a wall between me and the audience. I want to break down that wall and communicate with the people in the room, 'cause we're there together and we're having a nice moment.
I try to make all my work as honest as possible. I want the audience to feel like they're watching two people talking-having a conversation-as opposed to watching actors fake it. I want the audience to get lost in the fact that this is so good it could be real.
Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one.
I don't like making things too complicated when writing songs. I want to write in a very easy language that many people will understand.
I am attempting to understand Telugu and then give my dialogues. But language is not a barrier for me.
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