A Quote by Laurie Metcalf

When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie. — © Laurie Metcalf
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.
The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
I love the idea of making movies that kids and adults can go to together and both get something out of it, and not just, 'Oh, I've got to take my kid to the movie because they want to see the next, you know, 'Hannah Montana' movie or whatever.'
I go to movies expecting to have a whole experience. If I want a movie that doesn't end I'll go to a French movie. A movie has to be complete within itself, it can't just build off the first one or play variations.
I go to movies expecting to have a whole experience. If I want a movie that doesn't end, I'll go to a French movie. That's a betrayal of trust to me. A movie has to be complete within itself; it can't just build off the first one or play variations.
I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.
I've met people who will go to a movie that I can't stand and they say that they saw that movie ten times. There's something they like and identified in that movie, and I don't see it.
If I have a rare Saturday night when I can go out to see a movie, I look at the paper and I go, 'Hmm, what's the best medicine for my mind?' I'm going, 'What's the most escapist, fun entertainment I can go to?' So I think that's number one, first and foremost, because that's why I think people go to movies. It's a bonus that there's something real.
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.
I can't do the movies like I do painting because I am really more of a sort of dilettante or something. I mean I know guys that make movies that I can see it is absolutely their medium and they can just go from one movie right into the next because it is just - they have got it so much on the tips of their fingers. But for me it is a special effort.
I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
You go to movies to see people you love suffer - that's why you go to the movies. You don't go to see a movie about a guy who already knows he has a wonderful life.
I was never a fanatical movie person. There are many popular films I absolutely love like anyone else. Having said that, I don't have time to go to the movies very much. I work a lot of different things, I'm always busy. But I'm always happy to see a popular movie.
If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.
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