A Quote by Laurie Metcalf
I wasn't turning down film roles, let's put it that way. I was never really on that radar.
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I've become really good at turning down the boring, pretty girl roles, the trophy wife, supermodel, beautiful girlfriend roles. I mean, playing somebody who's perfect holds no allure for me, whatsoever. It's just boring.
Coming out of 'Spy Kids,' I immediately wanted to do more grown-up roles, and I was turning down a lot of the kind of younger, cheesier roles.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
You know what I did? I turned down an offer to do 'Enemy of the People' with Steve McQueen. It doesn't matter that the film was never really released. A movie like that, successful or not, adds to your credits. It leads to other roles.
I've been very lucky with the roles that I've played in that they were wonderful roles for women. They're incredible, flawed characters that I really gravitate toward. I just never want anybody to be able to put me in a box.
From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.
For a woman, there is a complete dearth of roles to do. Abroad, you really have good roles, and by good roles, I don't mean the film has to be women oriented. I wouldn't mind playing a well-written, small role.
People think coming in under the radar is like being a fighter pilot and actually coming in under the radar. It's a completely ridiculous idea to come in under the radar. It's the Olympics; everyone is on the radar here.
I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.
We are all born with a rut radar. Mine is finely wired, a little oversensitive maybe. Perhaps just a bit hyperactive. Twenty steady boyfriends before turning 16, a new best friend 12 times a year, switched college majors every time I met someone who seemed exactly like the sort of person I really, really wanted to be. I'm not fickle. I'm just never there yet.
I kept turning down roles because I knew I just wasn't ready for them.
For an actor, you're rejected eight or ten times a day. All you've got to sell is yourself. You're not selling products, they're not turning down a car, they're turning you down. Most people can't handle that. Most people are essentially not set up that way.
'Fukrey' was a major turning point of my career because it was post this film that I started getting lead roles in films like 'Bobby Jasoos.'
There’s no way to really preserve a person when they’ve gone and that’s because whatever you write down it’s not the truth, it’s just a story. Stories are all we’re ever left with in our head or on paper: clever narratives put together from selected facts, legends, well edited tall tales with us in the starring roles
The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.
In aviation they have auto pilot and color radar and a lot of other instrumentation that is a backup for pilots. It's really brought the incidents of plane crashes way down. Same thing ought to happen in the medical industry, I think.
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