A Quote by Laurie Notaro

I majored in journalism at Arizona State University, where I began writing the columns I write now, but I cannot, in good conscience, refer to myself as a writer. I'm a columnist, maybe a journalist, I guess I'm an author, but writer... no. That's not up to me to call myself, that's rather lofty. It's for the reader to decide.
I don't call myself a writer, much as I'd love to be. An author, maybe - the novel 'Voyage' made $870,000. Writer, no. Nor am I an actor. I was never on the stage.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
George Orwell is half journalist, half fiction writer. I'm 100 percent fiction writer... I don't want to write messages. I want to write good stories. I think of myself as a political person, but I don't state my political messages to anybody.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
A very wise author once said that a writer writes for himself, and then publishes for money. I write for myself and publish just for the reader.
A very wise author once said that a writer writes for himself, and then publishes for money. I write for myself and publish just for the reader
I don't really consider myself a writer, but I am writing so I guess I'm a writer.
The most annoying and full- of- crap thing a writer says is, I write only for myself, I don't care if anyone reads it. A writer without a reader doesn't exist.
The most annoying and full-of-crap thing a writer says is, 'I write only for myself, I don't care if anyone reads it.' A writer without a reader doesn't exist.
The journalism, I was a financial journalist - it's very good training as a writer. You have to write for deadlines; you have a certain economy of phrasing. As a training ground as a writer, it's fantastic. I also think it teaches you to be observant, to listen to people, and gives you an ear of dialogue from doing interviews.
Saul Bellow once said, 'A writer is a reader who has moved to emulation' โ€” which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was โ€” losing myself in these imaginary worlds.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.
It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, dont confine yourself to reading fiction. Every writer is first a wide reader.
It took me a while to affirm the fact that I'm actually a really good writer. I couldn't even call myself a writer with a straight face because I didn't take my gift seriously.
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