A Quote by Laurie R. King

I was fifteen when I first met Sherlock Holmes, fifteen years old with my nose in a book as I walked the Sussex Downs, and nearly stepped on him. In my defense I must say it was an engrossing book, and it was very rare to come across another person in that particular part of the world in that war year of 1915.
you can give it a long name if you like, but I'm an old-fashioned woman and I call it mother-wit, and it's so rare for a man to have it that if he does you write a book about him and call him Sherlock Holmes.
The average age of a model is fifteen years old. It's so crazy to me. And how confusing for men; they're like, "Well, I'm supposed to be attracted to that image" - like that's what it's designed for - "but it's a fifteen year old girl." I think it's a very confusing thing for every single person involved.
The book that influenced me most is Sherlock Holmes, which teaches you the way to deal with reality: to deduct. It teaches you to put together the signs. For example, I look at a person and I see their coat, their jacket, their handwriting, their iPhone, and I am able to deduct some details about who they are, what they wear, and what they do. For many years I was fascinated with Sherlock Holmes. The series trained me to look at the world through these sharp, unforgiving eyes.
I read over a hundred books a year and have done so since I was fifteen years old, and every book I've read has taught me something.
I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years
I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years.
A Jewish man with parents alive is a fifteen-year-old boy, and will remain a fifteen-year-old boy until they die!
In 1968 I ran into Steve Lacy on the street in Rome. I took out my pocket tape recorder and asked him to describe in fifteen seconds the difference between composition and improvisation. He answered: "In fifteen seconds the difference between composition and improvisation is that in composition you have all the time you want to decide what to say in fifteen seconds, while in improvisation you have fifteen seconds." His answer lasted exactly fifteen seconds.
In the future, everyone will have fifteen minutes of fame. Followed by fifteen minutes of legal problems, fifteen minutes of ridicule from late-night TV hosts, fifteen minutes of obscurity, and fifteen minutes of "Where are they now?".
The first book I could call mine, my first book, was a picture book, 'The Magic Monkey' - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.
The first book I could call mine, my first book, was a picture book, The Magic Monkey - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.
I think if you went back to the eighteenth century and you asked a fifteen year old boy, 'Would you like to marry a woman who has had plastic bags needlessly inserted into her breasts?', that fifteen year old boy would probably be like, 'what's plastic?'.
The one thing I would like to get across about my whole feeling regarding high school is how I was when I was fifteen. Gawky. Always a hem hanging down, or strap loose, or a pimple on my chin. I never knew what to do with my hair. I was a mess. And I still carry that fifteen-year-old girl around now. A piece of me still believes I'm the girl nobody dances with.
The period after the First World War was an extremely different time, so that Sherlock Holmes would have been a different person following 1918 than he was during the Victorian era.
As a complete score, I love 'Sherlock Holmes' - but we cast it badly. We put Ron Moody into the part - a great Fagin, not a great Sherlock Holmes.
Jeremy Popkin's collection of first-person narratives of the Haitian Revolution is an extremely valuable work, accessible, sound and intelligent. I only wish such a book had been available fifteen years ago when I was in the early stages of researching my series of novels. Popkin has been deft and tactful in stitching together these excerpts, and as a result, he manages to tell a complete version of the Revolution almost entirely in the words of the people who experienced it-this book engaged me deeply.
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