A Quote by Laurie Simmons
When I was in art school, there was a stigma attached to coming from comfortable suburbia. If you were from Great Neck, Long Island, you couldn't be a 'real artist', so I found crafty ways of implying that I was from New York.
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I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
In the neighborhood that I grew up in - in New York on Long Island - there were a lot of musicians. For some reason, that time in history in our town in New York, everybody played. So it was all around me.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
It's strange, because Long Island is still New York, but the farther you go out on Long Island, the more creepy it gets.
I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.
Basically, the prosecutor who led case against me and that administration were trying to say that an actor can be held responsible for his acting, thousands of miles away from where he did the acting. The analogy would be if an artist painted a nude painting in New York City, and it was met with accolades and great reviews. And suddenly, somebody from Texas bought it and put it in their shoe store and it was found to be obscene in Texas, the artist in New York is responsible, and goes to jail because it's obscene in Texas.
I really love New York, and I've lived here for a long time. I know not just the different neighborhoods but the different kind of class cultures in New York from the up-and-coming, down-and-out kind of artist to the powerful worlds of finance.
[There was] an openness not found on the East Coast and a generosity of spirit. New York was always formulating the correct ways to work and think while back here [in California] we were always eager to be surprised and engaged in new ways.
At the School of Visual Arts in New York, you can get your degree in Net art, which is really a fantastic way of thinking of theater in new ways.
'Strong Island' is slang for Long Island, New York. And it really grew out of - what may surprise people, it really grew out of the very vibrant hip-hop scene that, you know, is located and still generates artists out of Long Island.
I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.
My first gig was at Carle Place High School, which is in Nassau County, Long Island, New York. I was 14, and I was invited to play with this band, and I was so excited, but I was really petrified.
I was from a town called Manhasset, very nice town out on the North Shore of Long Island, New York, but there was a little area, predominantly black population, and it was a small school. I played on the basketball team when I was a junior, and I was the only white guy on the starting five, the top seven actually, and we were really good.
Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
I've worked with the Warrens. For about 20 years. I was really good friends with Ed. Ed and Lorraine. We went our separate ways, there were a few differences. In their organization, being that they were from Connecticut, I started the New York City chapter of the organization and handled things in New York. But eventually I was out on my own. But I've been friends with them for a long time.
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