A Quote by Lauryn Hill
People need to understand that the Lauryn Hill they were exposed to in the beginning was all that was allowed in that arena at the time. I had to step away for the sake of the machine. I was being way too compromised. I felt uncomfortable having to smile in someone's face when I really didn't like them or know them well enough to like.
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I definitely listened to Lauryn Hill - her's was like the first album I bought myself. Brandy's Never Say Never and Lauryn Hill's The Miseducation of Lauryn Hill were always in rotation for a couple of years.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
We’re face to face with images all the time in a way that we never have been before... Young people need to understand that not all images are there to be consumed like fast food and then forgotten – we need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.
To me, acting used to be just, 'Get my face out there, get girls, make a little bit of money, make my mom proud.' It was just like sports. But there were moments in 'Moonlight' that I really felt like I had to know why he is the way he is. Or just people in general - why this person walks around with a frown on their face instead of a smile.
When we started out we got a lot of positive press around the single 'Step Into My World', and a lot of Radio play. The single did really well, so we were in the spotlight straight away. I obviously had my history with Ride, but I didn't want to talk about that, so all the interviews centred around how I'd had these auditions and found the band members that way. I think people felt like that was not 'for real' enough or something.
I enjoy what Twitter is because I can really connect with the fans and it's a great way to share information with them and it's also a great way to entertain. I like being able to put a smile on people's faces and letting them know what I'm doing.
... some of my people could have been left [in Africa] and are living there. And I can't understand them and they don't know me and I don't know them because all we had was taken away from us. And I became kind of angry; I felt the anger of why this had to happen to us. We were so stripped and robbed of our background, we wind up with nothing.
I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for, in a way. They wanted it to be something special. None of us were really known then, as well. It felt like a big deal, at the time.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
All the time, even before we had mainstreamed, it was like we were never really Christians because of the way we looked. Or, you know, we were never Christian enough, or we're too Christian at times. You can't please people.
I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.
But I felt like Pablo Escobar felt like he was an honorable businessman. And when he killed people, I think he felt he did it because they were honorable. That they were liars and were trying to cheat him. I don't think he had a lot of respect for the politicians in Columbia at the time, so he had quite a lot of fun killing them.
I guess this was what it felt like to love someone and feel like you had lost them. Even when you were still holding them in your arms.
Trees have about them something beautiful and attractive even to the fancy,
since they cannot change their places,
are witnesses of all the changes that take place around them;
and as some reach a great age, they become, as it were, historical monuments,
and like ourselves they have a life, growing and passing away,
--not being inanimate and unvarying like the fields and rivers.
One sees them passing through various stages,
and at last step by step approaching death,
which makes them look still more like ourselves.
The more people get advised to eat vegetables, the less it seems they wish to eat them. And it is quite a natural response. So I've said that the main way that we get to like food is through being exposed to them, but there's a second condition. We have to be exposed to them without feeling any sense of coercion.
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