A Quote by Lauv

For whatever reason, I've always gravitated towards music that feels nostalgic or longing or beautifully tragic. — © Lauv
For whatever reason, I've always gravitated towards music that feels nostalgic or longing or beautifully tragic.
I've always gravitated towards the beats, obviously. And when I was growing up, I always loved funk music or even - dare I say it - disco.
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling.
I've always gravitated towards songwriting that happens easily and spontaneously, because those have always been my best songs.
When I was really young, I gravitated towards the visual arts first. I feel that's what comes most naturally to me. I've always had an immediate proclivity towards making visual art and I was a really tactile kid.
I always gravitated a bit towards more of the fantasy, and 'Lost Girl' really fits in with that.
Country music's always had the best musicians in any format of music, and I always gravitated toward that, stuff that was musically interesting.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.
My parents really raised me with the value that it's important to give back, and I've always gravitated towards non-profits and charities that work with children.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
I've always gravitated towards those ultimate lines in songs, the line you grab on to. That line in 'Smells Like Teen Spirit,' 'Here we are now/Entertain us' - the irony, the antagonism; that's always stuck with me.
I live in Nashville, and I don't know how many people there would call me country. I really started in punk and anti-folk, but one of the reasons I originally gravitated towards country music is because most of those songs only use three chords. That was the easiest place for me to start, but I'm always trying to expand what I do.
I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion.
Then as I got older, I always gravitated towards the hard stuff, Born To Be Wild, then Black Sabbath
Then as I got older, I always gravitated towards the hard stuff, Born To Be Wild, then Black Sabbath.
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