A Quote by Lav Diaz

The novelistic attribute of my work is very much like the Russian way of creating novels. Tolstoy, Dostoyevsky - their work has so many gaps. But for the reader, you cannot erase those gaps because they are important. They contextualize the whole struggle. My cinema is like that.
I realized that there are many people who are very good students, but they think of themselves as bad students. At the end of the day, what they are really missing is way to understand where their gaps are and a way to address those gaps.
I like gaps; all my stories have gaps. It seems this is the way people's lives present themselves.
The idea that God resides in the unknown is what philosophers call the God of the gaps. And we have this thing called science, which marches on and makes discoveries in those gaps, ultimately closing gaps.
Usually, you do a shakeup because you know that you have a problem or you gaps and you're going to fill those gaps.
The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple-universe.
There are no unnatural or supernatural phenomenon, only very large gaps in our knowledge of what is natural... we should strive to fill those gaps of ignorance.
I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.
For me, it is about using everything that is there and using the gaps in the record, figuring out why the gaps might be there. And then when you move on to the level of what historians said, laying the interpretations side by side. You also have to look back at the documents and make your own judgments. What the record says and what people say about it. A novelist can fill the gaps in a way that a biographer cannot.
The gaps in power, the gaps in wealth, the gaps in ideology which hold the nations apart also make up the abyss into which mankind can fall to annihilation.
I would say it was [ifluence] all the Greeks and the Russian classics like [Lev] Tolstoy, [Andrey] Goncharov,[Fedor] Dostoyevsky, [Alexander] Pushkin, and the international classics in Russian translation like Victor Hugo, George Sand, Charlotte Bronte, Sir Walter Scott, Mark Twain.
I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
I don't like that we repeat a certain expression over and over again because I think it narrows the way that we look on the world. I also think that there is a certain responsibility if you work with moving images because it's so strong in creating behaviour; it's so strong in creating the way that we look on the world, so for me it's very important that I create images that I have an experience of or is something that I think exists in the world and not just in cinema.
By and by... there are more and more gaps of silence. Through those gaps, windows will open to the divine.
Today secular philosophers call that kind of divine invocation God of the gaps-which comes in handy, because there has never been a shortage of gaps in people's knowledge.
The style is the same at all levels, which facilitates things: bring the ball out from the back, keep possession, work gaps to create chances. It's like that from the Under-15s all the way through. That's the Spanish way, and it has triumphed.
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