A Quote by Laverne Cox

The preoccupation with transition and with surgery objectifies trans people, and we don't get to really deal with the real lived experiences. — © Laverne Cox
The preoccupation with transition and with surgery objectifies trans people, and we don't get to really deal with the real lived experiences.
Feeling comfortable with your body as you go through a transition is not easy, and honestly, as a trans person on hormones or after surgery, you just don't really know what your results will be, how you'll finally look. Managing all of that is a challenge.
The problem with the spectrum that is trans-ness and where people like Caitlyn Jenner lie, transitioning and being trans is more than a physical thing. Transition is a process.
I could have hidden in Boston and lived at home for three years, gone through my transition, taken voice lessons to make my voice more feminine, gotten gender reassignment surgery, and spent time to complete my transition, but I didn't want to wait. I wanted to be in the world.
I think it's really important to champion stories from trans women and trans women of color. That demographic has gone unheard and unsupported for so long, and it's really the community that's struck the hardest by a lot of issues. I try to do a lot of work to champion trans feminine issues and stories, but that said, I do have a personal and deep investment in seeing trans masculine stories reflected in culture. It is a little disappointing to me that trans men and trans masculine people have not really been part of this media movement that we're experiencing right now.
People assume that trans people will only be accepted as trans characters, or that there aren't enough trans writers, or that there aren't any trans producers or directors, there's that attitude.
We have different experiences, but trans women have experiences that do parallel with the whole fabric of what womanhood is. Embracing trans women, listening to their stories, enriches what womanhood is. It expands it and makes it even better.
I am happy being a man in a dress. Some people get confused and think I'm a trans woman, but I'm strict about the difference. What I do is performance, it's staged, it's glamour - it's not real life. But for trans people, being born in the wrong body - there's nothing glamorous or easy about that.
There's this belief sometimes from people who haven't lived the trans experience that's just like, 'You should tell everyone. You owe it to them.' But the truth is, you don't know how people are going to respond. And many people don't even have the language to talk about what their trans experience is, or what it could be.
Historically, we have seen cis men play trans women and vice versa. That casting breaks through the fourth wall, and it gives people the message that trans people are being played by cis men in real life, which is where we get this idea of men in dresses.
When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.
When we get to a point when trans folks are included in the creative process, the narrative will be much more authentic. Trans actors playing trans roles is a key part of that. But some of the trans talent is not even making it into the audition room, let's be honest.
So often, trans roles don't even go to trans actors. Most of the fabulous trans roles that have won people Oscars, we didn't get to play. A lot of folks have said we're not trained enough and that we're not prepared to do whatever.
I think that it's important to say that trans people exist, and we are valid, whether we choose to transition or not. It's really up to anyone to decide what is going to make them feel the most like themselves.
I have always been aware that I can never represent all trans people. No one or two or three trans people can. This is why we need diverse media representations of trans folks to multiply trans narratives in the media and depict our beautiful diversities.
Trans voices are really underrepresented, and trans stories are really underrepresented, and when they are presented, they're often reductive. I was interested in putting a trans person and a trans narrative on stage that didn't fall into cliché, that thought a bit more deeply about the experience of being trans, and how those issues tie into things that we all experience. How we tell the story of our lives, versus what might have actually happened, and how we communicate to our former selves. All of those questions were really interesting to me.
When we have trans actors play trans characters, people can look onscreen and say, 'OK, this is what trans is.'
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