A Quote by Lavrenti Lopes

I think I was 8 or 9 when I did my first play. It was at a community level, but that's when I knew that this is what I loved doing. — © Lavrenti Lopes
I think I was 8 or 9 when I did my first play. It was at a community level, but that's when I knew that this is what I loved doing.
When I was on Taransay, I loved being part of a community, I loved that everyone knew what I was doing, where I was going. I loved that. I liked knowing that if I wasn't back at a certain time people would start worrying a little bit about me, I loved the whole community thing, sitting for hours and chatting to people.
But what I did know was that I loved a girl. And I knew I loved her in a way I'd never, ever recover from. I knew I loved her to the very core of myself. And I knew she loved me back.
I knew I loved football before I even played it. Uh, but the first time I stepped out on the field playing for the Lakeshore Redskins, I knew that I loved this game. I knew that this was something I wanted to do. And I was only 6 years old, but I loved it.
David [Halberstam] kept on doing what he did because he loved it. One of the obituaries I read quoted him as saying that he did journalism for the same reason the great Julius Irving did basketball: He loved doing it even when he was having a bad day.
I think most artists start off playing in front of people and are used to doing it before they go out. I kind of did it the opposite. The thing got blown sky high and I'm on TV on "Good Morning America" doing my first performance in front of everybody. I think it was backward and from that, what I got out of it, the end is what I wanted, which was headlining my own tour, having people come because they loved my record and loved my music.
My mom, we had a relationship. I knew she loved me. I always knew she loved me. But she didn't, openly or overtly, express, you know, affection and love. But I - I knew. I knew she did.
I did just about everything under the sun. I did some Revlon work, make-up artistry. I taught classes at community colleges for a make-up course, teaching tennis. I was doing everything I knew how to do. I think one year I had as many as 10 W-2's come in.
I did a production of 'Journey's End,' an RC Sherriff play about World War I, at the Edinburgh Festival. I was 18 and it was the first time that people I knew and loved and respected came up to me after the show and said, 'You know, you could really do this if you wanted to.'
I`ve not really been angling to be a comedian. I knew comics and I loved them and I loved being funny, but I didn't understand the whole concept of becoming one. My first couple of times on stage, I was like, "This is what I'm doing for sure." I was so excited.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
I think when you start to do well and get your confidence back, everything becomes more fun. When you're playing with not your full capacity of confidence, I think things get a little tough. I knew I could be doing better than what I was doing. Even though I was ranked 5 or 4 or whatever it was, I wanted to get back to the level I thought I could play at.
I actually really liked teaching. I started teaching at UCB when I was in college. I would get someone to fill out an internship form or something so I would get the credit. But why did I start teaching? I loved it. I loved doing improv and loved UCB and wanted to be a part of that world and that community.
I think I was 10 when I did my first community play, and then I started booking bigger roles in these plays, and people were telling me and my parents that I was talented. And I was like, 'Well, this is something I wanna do.'
in the nineteenth year and the eleventh month speak your tattered Kaddish for all suicides: Praise to life though it crumbled in like a tunnel on ones we knew and loved Praise to life though its windows blew shut on the breathing-room of ones we knew and loved Praise to life though ones we knew and loved loved it badly, too well, and not enough Praise to life though it tightened like a knot on the hearts of ones we thought we knew loved us Praise to life giving room and reason to ones we knew and loved who felt unpraisable. Praise to them, how they loved it, when they could.
I knew that our community needed a very clear voice. and I think we deserved representation that rejected lobbyist funds and put our voters and our community first.
Confidence, as a teenager? Because I knew what I loved. I loved to read; I loved to listen to music; and I loved cats. Those three things. So, even though I was an only kid, I could be happy because I knew what I loved.
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