A Quote by Lawrence Bender
There are definitely strictly independent movies. 'Gummo' is one. Another is one I made, 'Fresh,' a $3 million movie which Boaz Yakin directed.
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Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
If you were my agent and I was making $10 million a movie and made four movies a year, that means you have a salary of $4 million.
I've made three musical movies which is pretty good considering that not many are made but I was lucky in other ways. I came along when independent movies were starting to boom.
For whatever reason, I think we have one type of animated movie and it's so wrong. I want to do a drama, I want to do an action, a comedy. In live-action, there are all sorts of movies. There's independent movies, big movies, action movies, funny movies, and for us we have one movie.
I made my first million pounds at the age of 26. As a little girl, I said I would retire when I had made my first million. The reality was different. When I did make it, I wanted to make another million, and another, and another after that.
'American Dream' is a small little movie made for under a million dollars. Totally independent feature.
I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.
I'd like to make a great movie. I've made many movies. I think I've made some good movies, but I never felt I've made a great movie.
You have these big $200 and $300 million movies with special effects, and I've always thought, 'Gee, why don't we make 30 movies instead of one $300 million movie?' Let's shake it up a bit; wouldn't that be a better bet? Evidently not.
The Secret Service I'm really excited about because Matthew Vaughn directed it. I've done a couple of movies with him - Stardust, which is one of my favorite films, and Kick-Ass, which is just a crazy, wonderful movie.
I aim my movies, as much as I can, at myself. I think that those movies have an interesting quality. They're very movieish. They are movie movies. Like I think Watchmen is a very self-aware movie. 300. Dawn of the Dead definitely. That's really where I've ended up.
I've done a couple of movies for scale, and it's the only way to get a lot of these independent movies made. The actors negotiate deals where they're given just enough money to live on during the filming, but then they participate in the back-end. If the movie suddenly makes a gazillion dollars, we'll participate in that profit.
A lot of my friends are struggling. A lot of my friends didn't make movies, which was really hard and sad. I'm good friends with this film collective, Red Bucket, which made Daddy Longlegs and The Pleasure Of Being Robbed. They're climbing the walls. They're all making cartoon booklets now, because they can't raise the funds to make another movie. But I think that when it returns, which it hopefully will, there will be another surge of energy.
I hadn't made a big-budget film, and in Hollywood there's a sort of man and boys situation. You're a man, you make $80 million movies! As if it's harder to make an $80 million movie. Well, I guess businesswise it is because you have more executives to argue with.
Yes, I want to do good work. But just because a movie is small, it doesn't make it better. In fact, there are a lot of really horrible independent movies made.
Since I started making movies, I've had to hear a million times, "When are you going to do a comedy?" I think I feel more comfortable in another kind of movie.
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