A Quote by Lawrence Block

I think persistence in the face of adversity is an essential part of a writer’s job description. If you don’t care enough about it to avoid being easily disheartened that way, you really should be doing something else.
As I've gone through life, I've found that your chances for happiness are increased if you wind up doing something that is a reflection of what you loved most when you were somewhere between nine and eleven years old. [...] At that age, you know enough of the world to have opinions about things, but you're not old enough yet to be overly influenced by the crowd or by what other people are doing or what you think you 'should' be doing. If what you do later on ties into that reservoir in some way, then you are nurturing some essential part of yourself.
Whether somebody think badly of me, whether somebody don't feel that I should be doing this or I should be doing that way, I don't really care. Whether they think that my fatigue is being laid, legs are skinny, I don't care.
I just try to be honest, because I think that's part of my job description as a writer.
I think doing different accents is part of the job of acting, really. It's something else that I quite enjoy the challenge of, to be honest.
I don't care about being remembered. I'm not a wonderful writer or anything. This should be reserved for people who really did something great. I think it's a mistake to consider the movie director as if they were great artists.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
I do think there's a difference when you see a book where you can tell the creator's doing something they really love or are really passionate about as opposed to an artist or a writer who is just doing a particular job or trying to sell a product or trying to cash in on a popular trend.
Living in L.A., everyone likes to mold you and change you. I don't care about fame, I don't care about being a celebrity. I know that's part of the job, but I don't feed into anyone's idea of who I should be.
There's something about being in front of a live audience that's fun. It's a really interesting, very electric, very alive, and intense experience, and you can't get it anywhere else. And I've been doing it since I was 23, so it's part of my being - it's part of my fabric as a person.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
I couldn't be a police officer. It's a very difficult job to put your life in the face of danger for someone else, and that is extremely selfless. To now vilify cops is not really the way I think it should be looked at.
I care about doing the work as best as I can do, and that it should go on reaching people. It's not about fame and it's not about me. It's about creating something that might allow someone else to create something.
Being a writer is part of a noble tradition, as is being a musician – the last egalitarian and open associations. No matter what happens in terms of fame and fortune, dedication to writing is a marching-step forward from where you were before, when you didn’t care about reaching out to the world, when you weren’t hoping to contribute, when you were just standing there doing some job into which you had fallen.
I want to make activism a bigger part of my life, while hopefully maintaining the opportunity to help out causes that I really care about. And being an actor allows me to do that. Shooting a Cisco commercial allows me to do that. I mean, doing all these things allows me to talk about these issues. But don't think there aren't those moments where I'm like, "What am I doing? I have to quit my job and chain myself to a tree." Believe me, I have those moments.
I'm really, really interested in the job of acting. I can really care less about being famous. I'm more about the work, and 'The Big C' was amazing, so I wanted to be a part of it.
I see too many people who jump into spirituality as a shelter to hide from reality. It doesn't work that way. The way it works is for the spirit behind you to follow you wherever you go, like a loyal soldier, and show you how to face up to adversity. If you can't face adversity, you will get locked into a new age perception that everything is fine when it isn't. That makes you vulnerable to being exploited by the person who comes along and says, "I am a psychic. I have studied with this guy or that guy, and I know what you should do".
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