A Quote by Lawrence Douglas

I do think it's interesting when people are born into families that at one point had huge amounts of money and that money has kind of vanished over the generations and they're sort of the last vestiges. You see that these people live really quite modestly and yet, somehow the way the clothes fit them, they still have some kind of strange genetic advantage over the rest of us. There's always these weird things in which you detect the legacy. There's a pair of cufflinks that you look at and go, "Oh, my God! These had to come from the Romanovs."
I saw my parents come over. They were immigrants, they had no money. My dad wore the same pair of shoes, I had some ugly clothes growing up, and I never had any privileges. In some ways, I think the person that I am now, I think it's good that I had that kind of tough upbringing.
There's also something that is often mistaken for enlightenment which is a kind of insanity. Often, people will have some kind of weird experience which is quite abnormal and think, "Oh my God, that's it, I understand everything" because they start seeing things in a very weird way and think that's how enlightened people see things as well.
I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
I don't know who can constantly afford to go and see things. A play, which has five people in it and one set and it cost you 60 quid? And you're in a theatre that really hasn't had a great deal of money spent on it in the last 50 or 60 years? It's kind of weird.
When I first started comedy, before I kind of gained any national prominence, I - in a weird way - went back to that. Marc Maron had me on WTF making fun of me about that when I first opened for him. I had this very kind of hip-hop bravado to me, and I realized that now I've let some of that go in my stage presence, that maybe that was because I had dropped that completely from my life, and when I got onstage I sort of rekindled it. And I think now that it was perhaps a defense mechanism that was left over from those days, which I think is kind of interesting.
If money doesn't come with misery, then it's not at all interesting and it's not at all fair. It seems if you have all this money, and no misery, you're really in a world of unalloyed happiness, and that seems to violate some deep principle of universal justice. We tend to live in a culture now where people have unbelievable, inconceivable amounts of money without any kind of remorse.
Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.
But this post-college world felt different from everything that had come before it; art was still central, but now everyone had to think about making a living too, and they did so with a kind of scorn for money except as it allowed them to live the way they wanted to live.
If you're on a date and somebody comes up and says, "Oh, I loved you in Harry Potter," it's a bit weird, because you suddenly start thinking, "Oh, God. Is this weird for the other person I'm here with, or is this weird for my family?" But generally speaking, I don't really think because I was thrown into it so young and kind of always had that, it's just something you get used to. And most of the time... It was interesting.
I don't think people have fully processed how deeply television has changed the political process in our own world. Political parties have become vestiges of what they were and individuals with large amounts of money can leapfrog over that process, which can have a positive mediating effect. And so I think there are things to worry about.
When I was 13, we went back to Argentina to live for a year. I got to see my extended family - really see them: where they grew up, how they lived. It was a different kind of struggle. There is no money. There are no jobs. And they still have to find a way to feed their families.
Interesting thing that is happening in American society is that people are starting to talk about money. I don't know how you feel about this, but for a long time, nobody was talking about money. It was a secret. And it's kind of very interesting because we do lots of stuff to portray to people about how much money we have, the clothes we wear and the cars we have and the house - they all kind of depict to other people, signal how much money we make, but we don't talk about it specifically.
At one point, I had a story accepted at the 'New Yorker,' which sent off weird bells in people when I told them - 'Oh,' they thought, 'now you are a writer' - where I really had been for the last 30-odd years.
There is the Jewish Agency, which gets a lot of money from the United States, from American Jews, whose sole job it is to create settlements. It enlists people all over the world - especially in Russia, and in the United States, by the way - to come and settle in the Occupied Territories as a kind of religious statement, a kind of nationalist statement: "This is a country given to us by God." A lot of Israelis who do not believe in God believe that God has given us this country.
I never had huge amounts of money when I was young. I had huge amounts of fame, and I always had the sense of labor and recompense. I always said I don't want to work for pay, but I want to get paid for my song.
I think the ultimate challenge is to have some kind of style and grace, even though you haven't got money, or standing in society, or formal education. I had a very middle, lower-middle class sort of upbringing, but I identify with people who've had, at some point in their lives to struggle to survive. It adds another color to your character.
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