A Quote by Lawrence Durrell

Gamblers and lovers really play to lose. — © Lawrence Durrell
Gamblers and lovers really play to lose.
Where were all the women gamblers? It wasn't as if being a woman wasn't a huge risk all by itself. Twenty-eight percent of female homocide victims were killed by husbands or lovers. Which, come to think of it, was probably why there weren't any women gamblers. Living with men was enough of a gamble.
The real things to know is that folks will stand to lose more than they will to win. That?s the most important percentage there is. I mean, if they lose, they?re willin? to lose everything. If they win, they?re usually satisfied to win enough to pay for dinner and a show. The best gamblers know that.
All gamblers lose regularly, but they rarely discuss it in public. Losing is bad for the image, dude. Nobody buys Hot Tips from Losers. Remember that.
Paule Marshall does not let the black women in her fiction lose. While they lose friends, lovers, husbands, homes, or jobs, they always find themselves.
They'd never been lovers, of course, not in the physical sense. But they'd been lovers as most of us manage, loving through expressions and gestures and the palm set softly upon the bruise at the necessary moment. Lovers by inclination rather than by lust. Lovers, that is, by love.
There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain.
Everyone except gamblers knows that gambling never pays. ... Losing, like winning, only increased his determination to play.
Women use lovers as they do cards; they play with them a while, and when they have got all they can by them, throw them away, call for new ones, and then perhaps lose by the new all they got by the old ones.
We can lose, it's football. Before, I was angry after games, especially if I didn't play well. But I understand that if you lose, you lose.
I am disappointed when I lose and don't play well, for example. But it is not so disappointing to lose when you play good. And I never feel I want to put the racquet down and walk away because of losing.
Well, you're either lovers or you're wanting to be lovers or you're trying not to be lovers so you can be friends, but any way you look at it, sex is always looming in the picture like a shadow, like an undertow.
Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
If you play badly and lose, you're left with nothing. If you lose but play well, you still have something. You have something to build on.
In Paris, you couldn't really turn around without seeing the result of lovers' bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.
You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. Dicing from one year to the next with the things you love, what you risk reveals what you value.
If we lose and someone is better than us then we accept it. Handshake after the game and well done and focus on the next game. But if we lose and don't play the style of football we want to play then we know it's our fault and we can do it better.
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