A Quote by Lawrence Durrell
Try and travel with the eyes of the spirit wide open, and not too much factual information. To tune in, without reverence, idly -- but with real inward attention. It is to be had for the feeling, that mysterious sense of rapport, of identity with the ground. You can extract the essence of a place once you know how. If you just get as still as a needle you'll be there.
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We travel, initially, to lose ourselves, and we travel, next, to find ourselves. We travel to open our hearts and eyes. And we travel, in essence, to become young fools again—to slow time down and get taken in, and fall in love once more.
I still get scared at night. Every tiny creak, every little noise, I open my eyes real wide and listen with them. Have you noticed that? When it’s dark and you can’t see a thing, you open your eyes really wide and glance back and force, like your eyes become your ears?
Once there is a certain degree of Presence, of still and alert attention in human beings' perceptions, they can sense the divine life essence, the one indwelling consciousness or spirit in every creature, every life-form, recognize it as one with their own essence and so love it as themselves. Until this happens, however, most humans see only the outer forms, unaware of the inner essence, just as they are unaware of their own essence and identify only with their own physical and psychological form.
We travel, initially, to lose ourselves; and we travel, next to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches are differently dispersed. And we travel, in essence, to become young fools again- to slow time down and get taken in, and fall in love once more.
I know that one of my difficulties as an actor is to try to do too much, from all those years ago when my acting took place live on a stage. It was just my shiny face there, so you've gotta be super careful how much over-expressing you're doing with your eyes and nose and so on.
Once a King in Narnia, always a King in Narnia. But don't go trying to use the same route twice. Indeed, don't try to get there at all. It'll happen when you're not looking for it. And don't talk too much about it even among yourselves. And don't mention it to anyone else unless you find that they've had adventures of the same sort themselves. What's that? How will you know? Oh, you'll know all right. Odd things, they say-even their looks-will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools." -The Profesor
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
Please open your eyes now, but keep attention in the inner energy field of the body as you look around the room. The inner body lies at the threshold between your form identity and your essence identity, your true nature. Never lose touch with it.
Rose once told me about this poem she’d read. There was this line, ‘If your eyes weren’t open, you wouldn’t know the difference between dreaming and waking.’ You know what I’m afraid of? That someday, even with my eyes open, I still won’t know.
Bowdoin was the first place that I fell in love with. When I visited, I just had never been to a place with that many resources and that much access to information. That was stuff that you saw in movies. I didn't know that existed in real life.
I think that the use of copyright is going to change dramatically. Part of it is economics. There is just going to be so much content out there - there's a scarcity of attention. Information consumes attention, and there's too much information.
If you're tired of getting additional information, you can just close your eyes, get some sleep. But earlids, covering of the ears, never evolved. Not once do we find it, even in the fossil records. Because while we let our eyes relax, our ears are still hearing. And that's why alarm clocks work and wake us up. We still gather information. Every animal is gathering information 24/7. So I like to think of acoustic ecologists as people who are trying to become better listeners, 24/7.
I just want to make a beautiful film. I've had it in my head for so long, so I want to try. Every now and again I get scared. And that's not really how I operate in songwriting or as Sia the artist, the singer. I don't operate from a place of fear. But this is such a new area for me. I still have some insecurity. So, like, once a week I get washed from the top of my skull down to my toes with this vomitous feeling of fear. I think, "Just don't do it. You don't have to do it. You're already a singer and a songwriter. Really, you don't have to make a movie.".
Well, once you get the groove of your life and you sort out the aspects of your life that you prefer, and you’ve performed all your responsibilities as a father and as a partner. And just discovery and the great adventure of having eyes wide open. There’s so much of this beautiful planet that is still actually spectacular and stimulating. There are so many amazing people that you meet along the way. By using my career as the wind in the sails of my adventures, I could see so many things and so many people that I might have missed had my career gone a different direction.
My great strength as an editor, I believe, is structure: I know how to reorder a piece, I know how to reach into a jumbled story and extract the important narrative. And I can do both of these things very fast. I also think I've become better at cutting text. You don't always relish it, of course, but by now I know how to distill something without sacrificing its essence.
ONCE WHEN I WAS ninth grade i had to write a paper on a poem. One of the lines was"If your eyes weren't open you wouldn't know the difference between dreaming and waking' It hadn't meant meant much to me at the time. After all there'd been a guy in the class that i liked so how could i be expected to pay attention to literary analysis? Now three year later i understand the poem perfectly.
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