A Quote by Lawrence Ferlinghetti
Don't bow down to critics who have not themselves written great masterpieces.
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Immortality is a by-product of good work. Masterpieces are not for artists, they're for critics. Critics can't even make music by rubbing their back legs together. My message to the world is 'Let's swing, sing, shout, make noise! Let's not mimic death before our time comes! Let's be wet and noisy!'
There are television critics, movie critics, and theater critics too who I like and who I follow and I get genuinely bummed when they don't like something that I've written because I usually agree with them.
For all of the creeds are false, and all of the creeds are true; And low at the shrines where my brothers bow, there will I bow too; For no form of a god, and no fashion Man has made in his desperate passion, But is worthy some worship of mine; Not too hot with a gross belief, Nor yet too cold with pride, I will bow me down where my brothers bow, Humble, but open eyed.
Go out and find a copy of 'The Shrinking Of Treehorn' and its sequel, 'Treehorn's Treasure.' Written by Florence Parry Heide and illustrated by the great Edward Gorey, master of the gothic and the macabre, these books are small masterpieces.
Ideas are great arrows, but there has to be a bow. And politics is the bow of idealism.
Bad critics judge a work of art by comparing it to pre-existing theories. They always go wrong when confronted with a masterpiece because masterpieces make their own rules.
Try all things by the written word, and let all bow down before it. You are in danger of [fanaticism] every hour, if you depart ever so little from Scripture; yea, or from the plain, literal meaning of an text, taken in connection with the context.
Bow, bow, ye lower middle classes!
Bow, bow, ye tradesmen, bow, ye masses!
There's always been a lot of negative stuff written about me. That's why I don't pay any attention to the critics. They've never liked anything I've done. What do critics know? It's the way the audience reacts that matters.
In ancient Greece, Socrates reportedly didn't fancy a literate society. He felt that people would lose the capacity to think for themselves, simply adopting the perspective of a handy written opinion, and that they would cease to remember what could be written down.
Insofar as we, critics of the black tradition, master our craft, we serve both to preserve our own traditions and to shape their direction. All great writers demand great critics.
Always have a black bow, a white bow, a rainbow bow - those bows will match literally just about everything!
I did feel as though a number of critics had appointed themselves, when they sat down with a new book of mine, to rectify what they felt to be was my inflated reputation and so that the book in hand was not really given a chance but made a kind of weapon in the general attempt to bring me down to size.
There are many out there who proudly call themselves critics, but I have come to see that many of those critics have never tested their own skill.
You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one.
Into the bosom of the one great sea Flow streams that come from the hills on every side, Their names are various as their springs And thus in every land do men bow down To one great God, though known by many names.
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