A Quote by Lawrence Ferlinghetti

T.S. Eliot's influence was enormous on my generation. Much more than Ezra Pound. I actually had to put T.S. Eliot books out of the house because my poetry was so influenced. Everything I wrote sounded like Eliot.
There's a good deal in Pound's and Eliot's poetry that stood up even though their politics were deplorable. Or Pound's very deplorable, Eliot's kind of deplorable.
Pound was silly, bumptious, extravagantly generous, annoying, exhibitionistic; Eliot was sensible, cautious, retiring, soothing, shy. Though Pound wrote some brilliant passages, on the whole he was a failure as a poet (sometimes even in his own estimation); Eliot went from success to success and is still quoted--and misquoted--by thousands of people who have never read him. Both men were expatriates by choice, but Eliot renounced his American citizenship and did his best to become assimilated with his fellow British subjects, while Pound always remained an American in exile.
I'm as much influenced by Joseph Smith and the Mormons as I am, more so, than by Eliot. Actually, I'm much more influenced by the poetry of the Mormons.
I'm not a big Austen reader. I wouldn't say I dislike her, but if I had to choose between her and Eliot to bring to a desert island, it would definitely be Eliot.
I unlearned the model of being an editor like Ezra Pound with T.S. Eliot, the unconscious belief that America was the center of the world, and that honesty meant saying what I thought and always being direct.
Every poet gets to choose what kind of community he or she serves with the poems, and it's true that there is a community for very difficult, challenging poetry. It's a community that's established itself over the last 80 years, that was originally, in effect, really started by T. S. Eliot and Ezra Pound. They believed that poetry ought to contain learning, that it ought to rise upon all the learning that went before.
Praise be to Nero's Neptune The Titanic sails at dawn And everybody's shouting "Which Side Are You On?" And Ezra Pound and T.S. Eliot Fighting in the captain's tower While calypso singers laugh at them And fishermen hold flowers.
Pound's translation of Chinese poetry was maybe the most important thing I read. Eliot a little bit later.
I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
Any more questions?" I ask, poking him gently in the ribs. "Do you still love me any?" Eliot asks, putting his hand over mine. "A little." "A little?" he asks, pulling away from me. "A lot." "How much?" he asks. "More than chocolate chip cookies." "Mmm" he says, kissing my shoulder. "More than walking on the beach." Eliot kisses me on the neck. "More than . . ." I pause, turning to look at him. "More than?" he asks, kissing my lips. I turn toward him. "Anything.
The great ages did not perhaps produce much more talent than ours,' [T.S.] Eliot wrote. 'But less talent was wasted.
Pound had argued - and Eliot had helped him prove - that a poem could be sustained by memorable moments. Olson proved that it could be sustained by unmemorable ones, provided that the texture of the accumulated jottings avoided the sound of failed poetry.
I think there was a revolution in poetry, associated chiefly with Eliot and Pound; but maybe it is of the nature of revolutions or of the nature of history that their innovations should later come to look trivial or indistinguishable from technical tricks.
When I was starting to write, the great influence was T.S. Eliot and after that William Butler Yeats.
Always in England if you had the type of brain that was capable of understanding T.S. Eliot's poetry or Kant's logic, you could be sure of finding large numbers of people who would hate you violently.
If I get one more person telling me I look like Eliot Spitzer, I'm just going to have to play the guy one day.
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