A Quote by Lawrence Ferlinghetti
Well, I didn't know how to draw very well back then, in the '40s and '50s.
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Back in the 40s and early 50s, building simple electronic projects was a popular hobby of many people. Back then, you could buy, you know, a few parts and - with tubes and build something on your kitchen table, and it would actually work.
Back in the '40s and early '50s, building simple electronic projects was a popular hobby of many people. Back then, you could buy, you know, a few parts and - with tubes and build something on your kitchen table, and it would actually work.
Going back to the noir fiction of the 30s, 40s and 50s. It's very contemporary.
I'm an artist and I can draw very well. I'm amazed that everybody can't draw well because I can do it so effortlessly.
Now, perfectly ordinary people will give each other hugs. I mean, it used to be that a hug was reserved for if you came back from Australia - you know, back in the '40s and '50s.
There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.
I was raised on The Beatles. I loved Led Zeppelin growing up. Judy Garland. Doris Day. That's where things began. I took a lot from the '60s and maybe from the '40s or '50s as well.
It is not nearly so important how well a message is received as how well it is sent. You cannot take responsibility for how well another accepts your truth; you can only ensure how well it is communicated. And by how well, I don't mean merely how clearly; I mean how lovingly, how compassionately, how sensitively, how courageously, and how completely.
I think parenting well is not so different than trying to consider how to be successful at any relationship. Like, how do you partner well? How do you collaborate well? How do we have this conversation well? You know, you're always trying to figure out what "well" means, so I think parenting is another version of that.
It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer.
Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
There was a great deal of peer recognition to be gained in elementary school by being able to draw well. One girl could draw horses so well, she was looked upon as a kind of sorceress.
You can always draw as well as you know how to. I flatter myself that I feel more than I express on canvas; but I know that is not so.
When I look back and think about how I played when I was 16, and moving on to my 20s, 30s, 40s and now 50s - to me, it seems like you gain more experience, you gain more technique, you get better.
If you are prepared to make a fool of yourself for them then you usually get that back. I think that there are points where you become so close to an actor, you know them so well, almost as well or better than their spouse. You have to know them, warts and all.
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