A Quote by Lawrence Kasdan
I mean, I really liked those guys and the experience of doing Raiders was really good for me, but I did not really want to be involved - I only did Jedi, as I really owed George a favor.
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I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
I really like doing television shows, and I anticipated doing a comedy, because that's the place I feel the most comfortable - those are the risks I want to take. But it was always really hard for me to find a script that I really liked.
When I first got to L.A., I was stretching $20 a week, waiting tables, and I did that for about six months. I didn't mind it at all, I was really happy for that experience, but it made me really get aggressive about what I want. I've been doing this since I was eight, and never considered doing anything else, so I really had to kick it into gear.
I did "Highlander", which was just an extraordinary wonderful experience. I'm really proud of "Highlander". And they keep trying to re-make it...good luck to them. I do not want to be involved. But, yeah, I'm really proud of that one.
I've learned from my experience that desire is 80% of achievement. That if you really, really want something, if you really, really, really want to do something, that the vast majority of achieving it is wanting it. I mean, really wanting it. Not a preference, and not, "Gee, I hope this." I mean really wanting it. It is the desire that makes you do what you have to do to achieve.
I really liked Quentin Blake, who did all of Roald Dahl's stuff. I don't think I really got Quentin Blake as a kid, but as I grew older, I really appreciated the kind of knowledge and the skill that went into those seemingly effortless drawings, and I really wanted to capture some of that in my own work.
I've done a few movies where I really liked the project, but I wasn't sure about the director, and I still did it and my instinct was right, in the beginning. Even though it was a good story, the guy still didn't really know what he was doing.
When I was in high school, I wasn't really popular. I was picked on a lot. And then I did a talent show, and kids started to tell me that I did a good job. It was the first time that my peers told me that they liked what I was doing. Something clicked, and I knew that this is what I wanted to do.
I have a real hunger to experience life. I'm really, really inspired by my family. I grew up with my family, really did a lot; we took a lot of road trips, we did a lot of different businesses, we'd always tried stuff. For me, that just kind of sparked something from the time I was a kid.
My parents are really, really talented and really good at what they do, so I've always learned from watching them. But their style is something that you can't really learn. They never went to drama school and neither did I.
'Believing' cannot tip the scales in making a historical judgement about whether something really happened. I can choose to believe that George Washington threw a silver dollar across the Rappahannock, but my believing that he did it has nothing to do with whether or not he really did do it. So also with the story of Jesus walking on water: Believing that he did it has nothing to do with whether he really did do it. 'Belief' cannot be the basis for historical conclusions; it has no direct relevance.
It really bothers me that Stephen Cannell has died. I had lunch with him about eight months before he died, and... I really liked him. I really did.
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
I did play flag football. I actually got my lip busted. My team was really good; we won first place in the season, and won the Super Bowl. I was one of the defense guys. I was really good.
I loved making The Imitation Game and it's really gratifying to hear the audience's response to the character that I play. It was just a little thing that I did because I really liked the film and I liked Benedict [Cumberbatch] and I loved Morten's [director Morten Tyldum] previous film, Headhunters. For me, it was something I did thinking, "Wow, this is a lovely quality piece of work."
[Billy Bob Conroy role] that was a favor. Actually, the lady who cast Night Court asked me to do it, because it was a Friday, and the person who'd been rehearsing it all week got sick and couldn't come to the taping. And she figured I could put it together pretty quickly - it was not all that big a challenge, frankly - and I said, "Of course." I owed her, after all. Gilda Stratton was her name. She was a really, really nice person. So I did it.
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