A Quote by Lawrence Kasdan
Almost every other Western in the last ten years has failed, since Dances with Wolves.
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I guess after Dances With Wolves they probably tried some derivative westerns, and if they didn't work, they said the western is dead and moved on to something else
I guess after Dances With Wolves they probably tried some derivative westerns, and if they didn't work, they said the western is dead and moved on to something else.
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. ...Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.
At times, you're welcome, depending on what's being cast. 'Dances with Wolves' - they wanted authentic-looking Indians in the film, and so they got it. The same was true with 'The Last of the Mohicans' and 'Geronimo.'
I think some of my favorite Australian films were shot by people that are not Australian. And I think when Dean Semler did 'Dances with Wolves,' for instance, that's a very different-looking Western than what you've seen much of before. It's very rich, color-wise. But we've got our own very proud thing going on.
Salvation by society failed the most where it promised the most, in the communist countries. But it also failed in the West. Practically no government program enacted since the 1950s in the Western world - or in the communist countries - has been successful.
But probably for the last ten years or so, I've been fitting in animation work into my other projects.
My first was in 1994 and it's ten years ago already. It's been ten years and I'm still around. I won a stage again, like I did last year and the year before.
My first company failed completely. And it failed at about ten months old. I had about 12 months of savings, so when it failed I was thinking: 'Do I go back to work?' And at that point I believed so deeply in what I was doing that I couldn't imagine anything else other than trying to make this business work.
Western conception of history has had great consequences over the last two hundred years. You see it in the invasion of Iraq. You see it in almost everything that is said and done.
If you want to succeed in your life, remember this phrase: That past does not equal the future. Because you failed yesterday; or all day today; or a moment ago; or for the last six months; the last sixteen years; or the last fifty years of life, doesn't mean anything... All that matters is: What are you going to do, right now?
Parents who want a fresh point of view on their furniture are advised to drop down on all fours and accompany the nine or ten month old on his rounds. It is probably many years since you last studied the underside of a dining room chair. The ten month old will study this marvel with as much concentration and reverence as a tourist in the Cathedral of Chartres.
Ten years dropped from a man's life are no small loss; ten years of manhood, of household happiness and care; ten years of honest labor, of conscious enjoyment of sunshine and outdoor beauty; ten years of grateful life--one day looking forward to all this; the next, waking to find them passed, and a blank.
Cars are like rolling diaries, metal and plastic and paint tableaux of the last ten years of their drivers' lives ... every dent, every drooping slice of chrome, has a story behind it.
And I must say tonight that a riot is the language of the unheard. And what is it America has failed to hear? It has failed to hear that the plight of the negro poor has worsened over the last twelve or fifteen years. It has failed to hear that the promises of freedom and justice have not been met. And it has failed to hear that large segments of white society are more concerned about tranquility and the status quo than about justice and humanity.
It's a funny thing... I started touring at nine or ten years old, and for the first ten, fifteen, almost twenty years of your career, you're the youngest guy on stage and the youngest guy in the room.
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