A Quote by Lawrence O'Donnell

Everything I ever suggested for 'The West Wing' comes from my work with Senator Moynihan. — © Lawrence O'Donnell
Everything I ever suggested for 'The West Wing' comes from my work with Senator Moynihan.
What we're doing on 'The West Wing' is fictional. It's not a place to learn about politics or government. Has there ever been a fundraiser on 'The West Wing?' No. So right there, you're in Disneyland.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
When we were doing 'The West Wing,' the hardest thing about doing 'The West Wing' was being compared to yourself. You go out there and want every episode to be as good as your best episode. I wrote 88 episodes of 'The West Wing,' and when you do that, one of them is going to be your 88th best, so your 88th best better be pretty good.
As New York's United States Senator, I promise to reinstate the Moynihan 'Fisc Report' and work every day to address the imbalance of payments, first by focusing on reducing the amount of taxes we send to Washington, and second, by ensuring that funding formulas don't disadvantage New York.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
When I came on 'The West Wing,' I jumped onto something that was already a steaming locomotive of a hit. It was very exciting for me because I knew, the moment I got the 'West Wing' job, 'Well, hey, so now I'm on a hit show because it already is established and very popular.'
Pretty much up until The West Wing, our leaders had always been portrayed in popular culture as either Machiavellian or dolts. But I thought, "What if we show a group of people who are highly competent, they're going to lose as much as they win, but we're going to understand that they wake up every morning wanting to do good?" That was really the spirit behind The West Wing.
I hope that through my example, such as my role on 'The West Wing,' I can help change attitudes on deafness and prove we can really do everything... except hear.
When I first went to work in the West Wing, the most daunting thing was how small this place was... You walk in: it's three floors, and there's a few offices on each floor, and that's it.
Working on The West Wing was similar in many ways to my experience on M*A*S*H, because you had people willing to work late at night to get it just right.
Sam Seaborn is the best character that's ever been written for me, certainly. By far. And it's a timeless show [The West Wing], one that's having another resurgence now, with people so in an uproar politically.
I applied to do a fellowship in Congress and I was accepted to be a legislative fellow, so I go to work on the personal staff of a senator. I got very lucky and got to work in the office of Senator John McCain, and it was a yearlong program.
The West Virginia NASA Space Grant took me under their wing and taught me everything about applying for internships, scholarships, and performing research at the undergraduate level.
I never get bored talking about themes dealing with ambition, leadership and what it means to be an American. I love that stuff. I just love it. I've loved it ever since I was on 'The West Wing.'
I used to think, 'Everything's okay, or will be. I'll go on with this stance.' But after the World Cup, I was open to everything: if someone suggested a change in my technique I felt could work for me, I was willing to give it a try.
My way of getting the best from people on a set is to notice their work, to make every prop master, every seamstress, part of 'The Newsroom' or 'The West Wing' or 'Steve Jobs.'
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