A Quote by Lawrence O'Donnell

I discovered, to my surprise, that writing for live television made me a faster writer. — © Lawrence O'Donnell
I discovered, to my surprise, that writing for live television made me a faster writer.
The characters in a novel are made up, figments of the writer's imagination. I'm sure this won't come as a surprise to anyone, and it's not surprising to me either, but knowing this, feeling this, definitely made writing my second book harder.
I want to live faster, faster, faster! ... I fear that this desire to live always at high pressure is the presage of a short existence. Who knows?
When I started out, I was a television writer, and we wrote a television show that was on live every week. And you didn't have the luxury of coming in and waiting to be inspired. You came in and you had to write. And you wrote, because it was going to be live on the air. So I can do that.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
Writing has made me a better actor. Acting has made me a better writer. So why wouldn't directing make me a better actor and writer?
I think it does give me different stuff and I feel like television moves a lot faster than movie sets do. It's kinda like they have to get things done within a certain timeframe. So do movies but it seems like, as far as television is concerned, it just moves a helluva lot faster.
We now live in an amazing digital world, and television is firmly part of that brave new world. Television is still the way to reach the most citizens and talk to them – and with them - about how the EU affects their lives. It's still the way to bring people together – to laugh, to debate, to learn. In a world that takes a faster and faster pace, it is nice to know you can slow down once in a while with a good TV programme.
Every time I've had to do journalistic investigations, I've cursed, but later I discovered that it had helped me enormously with writing fiction. It's the one thing that can save me from becoming an academic writer.
I like the busy-ness of office life. What I discovered, to my surprise, is that I love the solitary nature of writing. What happens is that you write when you're ready.
Film and television, one is generally faster. Television generally moves faster in terms of directing, schedules and getting things done. Film, you're on a pretty tight schedule, so the process is the dame.
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
The process of writing fiction is totally unconscious. It comes from what you are learning, as you live, from within. For me, all writing is a process of discovery. We are looking for the meaning of life. No matter where you are, there are conflicts and dramas everywhere. It is the process of what it means to be a human being; how you react and are reacted upon, these inward and outer pressures. If you are writing with a direct cause in mind, you are writing propaganda. It's fatal for a fiction writer.
Writing happened to me. I didn't decide to start writing or to be a writer. I never wanted to be a writer.
I'm a writer. I'm moonlighting on television. I never made any pretensions to that. As much as I like being on 'Real Sports,' I have been a writer since I was a little boy, and that's still my first love.
For one year, I want to do this thing where I guest-star on as many television shows as I possibly can. I love television. The fact that television ultimately made me famous was very gratifying for me.
I discovered that I, a writer of what is known as creative nonfiction, could do the research and bridge the gap in my books and lectures through true storytelling. This is not 'dumbing down' or writing for eighth graders. It is writing for readers across cultures, age barriers, social and political landscapes.
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