A Quote by Lawrence O'Donnell
When you get off to an African country like Malawi - which is pretty removed from everything and pretty seriously off the grid - and you see the struggle of life that goes on there, it's a completely different thing than what happens here.
Related Quotes
My 'Big Bang Theory' costar Johnny Galecki went off the grid. He bought a huge ranch and goes there every weekend. He keeps telling me to do the same thing, but I don't know if I'm that committed. The Valley is as far off the grid as I'm going to go.
It's a pretty heavy thing that happens to me when I'm at competitions. I get so sucked in, I can't really turn it off.
I think it's pretty stupid to write off an entire genre of anything. It's one thing to say 'I don't like country music.' But it's pretty narrow minded to say 'All country music sucks.' Of course, that being said, all short-form improv sucks.
Yeah, it's an origin story. But you very quickly get into the origin and then it's off to the races. It is an origin story, certainly, but it's not like the movie ends and somebody stretches. It happens pretty quickly and I'm not sure how much I'm allowed to say about it, but I think when people see that first hint, they'll be pretty excited about it.
Obviously if you're Coppola going into 'Apocalypse Now' off the back of the two 'Godfathers,' you're in a much better position than coming off the back of something like 'Dust Devil,' which had scarcely been released, and was pretty much lying around in film cans in different places.
This is going to sound crazy, but the first thing I do when I get home is take off all my clothes - at home, just around the house. I take everything off. I can't stand clothes! I take everything off - my shoes, my socks, my watch, shirt, everything. I am completely naked.
A 7-footer who hits a step-back jumper - that's a pretty unicorn-like thing. Or someone who blocks a shot off the top of the backboard, pushes it in transition, and finds a shooter in the corner - that's pretty unicorn-like.
People get so riled up, and they wanna fight shows, but all they have to do is turn it off, and you see what happens? The show goes off. That's all you have to do. You don't have to fight anybody. You don't have to hold up signs.
I'm pretty fortunate that my beard - if I shave it off, I look like a completely different person. My face, it transforms. I mean, I have a weird face! My eyes are really deep and sunken. My son tells me, 'You don't have any eyebrows.'
The way I see it, truth only looks good when you're looking at it from far away. It's kind of like that beautiful girl you see on the street when you're riding past in the bus... there she is, this amazing girl walking by on the street, and you think if you could only get off this stupid bus and introduce yourself to her, your life would change. The thing is, she's not as perfect as you think, and if you ever got off the bus to introduce yourself, you'd find out... This girl is truth. She's not so pretty, not so nice. But then, once you get to know her, all that stuff doesn't seem to matter.
I found out about it probably 9 - 10 months before we shot the film [Don't Kill It] because it was postponed a couple of times, which was actually a good thing because once it all finally came together, I had to get in there and roll off different pages of dialogue and monologues pretty quickly.
But the thing about remembering is that you don't forget. You take your material where you find it, which is in your life, at the intersection of past and present. The memory-traffic feeds into a rotary up on your head, where it goes in circles for a while, then pretty soon imagination flows in and the traffic merges and shoots off down a thousand different streets. As a writer, all you can do is pick a street and go for the ride, putting things down as they come at you. That's the real obsession. All those stories.
Working pretty much nonstop as an artist, the hardest thing is to know what to do with yourself when you have some time off. You struggle with yourself to take a vacation.
OPN is completely off the grid. Its like the slime underneath techno and other synth-oriented music.
I used to think that once you really knew a thing, its truth would shine on forever. Now it's pretty obvious to me that more often than not the batteries fade, and sometimes what you knew even goes out with a bang when you try and call on it, just like a light bulb cracking off when you throw the switch.
What a pretty thing man is when he goes in his doublet and hose and leaves off his wit!
Related Authors
Ambrose Bierce Quotes
American
Journalist
Andy Rooney Quotes
American
Journalist
Ann Coulter Quotes
American
Journalist
Anna Quindlen Quotes
American
Journalist
Bill Vaughan Quotes
American
Journalist
Dave Barry Quotes
American
Journalist
Dennis Prager Quotes
American
Journalist
Erma Bombeck Quotes
American
Journalist
Fran Lebowitz Quotes
American
Journalist
George Will Quotes
American
Journalist
Glenn Beck Quotes
American
Journalist
Hunter S. Thompson Quotes
American
Journalist
Mignon McLaughlin Quotes
American
Journalist
Molly Ivins Quotes
American
Journalist
Rachel Maddow Quotes
American
Journalist
Walter Lippmann Quotes
American
Journalist