A Quote by Lawrence Osborne

Bangkok is infamously mired in lurid contradiction, but it's also a city of subtle and distorted moods that journalism and film have hitherto mostly failed to capture. — © Lawrence Osborne
Bangkok is infamously mired in lurid contradiction, but it's also a city of subtle and distorted moods that journalism and film have hitherto mostly failed to capture.
Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
I have a company in the U.K., a performance-capture studio. We're looking to push the boundaries of performance-capture technology in film and video games, but also in live theater, using real-time performance capture with actors onstage, and combining that with holographic imagery.
Sports passion is deeply, infamously territorial: our city-state is better than your city-state because our city-state's team beat your city-state's team. My attachment to the Sonics is approximately the reverse of this.
But Russians, in their very nature, it seems, pass quickly from the highest enthusiam to complete dejection and distrust. They yield to their moods quite sincerely and go the whole way, entirely forgetting all moods preceding and opposite. They do not see any contradiction in such behaviour; or, if they do, they readily find excuses for it.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again.
I've also shot plenty of films with very small audiences - 'The Sun Also Rises.' I love that film, but I didn't capture the imagination of the audience. I don't know why.
It is madness and a contradiction to expect that things which were never yet performed should be effected, except by means hitherto untried.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again. I like a lot of structure and a lot of lines, but then within that I make room for things to happen that you couldn't have predicted.
I'd love to visit Thailand just for the street food and the energy of a city like Bangkok.
Psychologists have hitherto failed to realize that imagination is a necessary ingredient of perception itself.
I was an infamously picky eater as a child but also had an infamous sweet tooth. All I wanted was dessert for every meal of the day.
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
I am most interested in people. I try to capture their complexity and contradiction and beauty. It does not matter where they are from.
We need ethical journalism. There is also capacity limitations in journalism.
I do think it's good to remember that childish things are made for children, and that, however pleasantly lurid the promise of a return to the clarity of childhood may be, an infatuation with the childish reveals only that one has failed to grow past it.
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