A Quote by Lawrence Osborne
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
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Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
In my books, there are a lot of people stuck in rooms. Or, conversely, out in the wide open. It seems that, in a funny way, when people are cooped up in rooms they are freer than when they are wandering about in the world.
I'm always tempted in the back of my mind to continue to write things in the Star Trek universe, in the novels or the comics, just because I don't get to play in that universe and I don't get to hang out with those characters any more. You spend hours upon hours of your life, day after day sitting in writers' rooms, talking about these people and these situations, and it becomes very real to you. They're friends of yours, in a lot of ways.
I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.
I'd have a stable full of Arabian steeds, rooms piled with books, and I'd write out of a magic inkstand, so that my works should be as famous as Laurie's music. I want to do something splendid before I go into my castle,-something heroic, or wonderful,-that won't be forgotten after I'm dead. I don't know what, but I'm on the watch for it, and mean to astonish you all, some day. I think I shall write books, and get rich and famous; that would suit me, so that is my favorite dream.
When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs.
You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.
I get to play around with different ideas and beautiful melodies. I don't have to yell in a rock voice. I think you can get an emotional depth in the types of rooms we're playing that you can't find in larger rooms.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
I'm a major feminist. There's a real politic in life, where I've been in rooms where real decisions are made, and it's a lot of powerful white men. There are women in those rooms, but not as many as there should be.
We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
Be cautious, understand the consequences of your decisions. You have to understand the consequences of every decision that you make. If you decide to be a writer, that's going to scale back your life, than when you decide to be an attorney. Y'know, if you send your kids to private school, then it's kind of like the federal budget, where if you spend money on one thing, but you have to cut on something else. So you just have to be aware, at all times, that every decision you make, has reverberations. And you have to understand those reverberations, and either you live with them, or you don't.
America’s drug problem is not going to be solved in courtrooms or legislative hearing rooms by judges and politicians. It will be solved in living rooms and dining rooms and across kitchen tables – by parents and families.
My daughter is seven, and some of the other second-grade parents complain that their children don't read for pleasure. When I visit their homes, the children's rooms are crammed with expensive books, but the parent's rooms are empty. Those children do not see their parents reading, as I did every day of my childhood. By contrast, when I walk into an apartment with books on the shelves, books on the bedside tables, books on the floor, and books on the toilet tank, then I know what I would see if I opened the door that says 'PRIVATE--GROWNUPS KEEP OUT': a child sprawled on the bed, reading.
I've got about three or four rooms of records, and two rooms of instruments.
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