A Quote by Lawrence Osborne

So many writers live their whole lives in rooms. You can be too civilised in the environment you have around you, too oriented towards speaking engagements and literary festivals and dinner parties. That has no interest for me these days. You get to a point where you don't care anymore. At that point, you can start to write.
Before I was a Discordian, I took life much too seriously. When you take life too seriously you start to wonder what the point of it all is. When you wonder what the point is in life, you fall into a trap of thinking there is one. When you think there is a point, you finally realize there is no point. And what point is there in living like that? Nowadays I skip the search for a point and find, instead, the punch lines.
Too many spend too much time trying to live in a fixed point, when our lives are an unfolding journey. Taking on new challenges is how we fix the world.
So many writers don't like to write... I like to write, and sometimes I'm afraid I like it too much, because when I get into work, I don't want to leave it. And as a result, I'll go for days and days and days without leaving my house.
Thanksgiving dinner's sad and thankless. Christmas dinner's dark and blue. When you stop and try to see it From the turkey's point of view. Sunday dinner isn't sunny. Easter feasts are just bad luck. When you see it from the viewpoint of a chicken or a duck. Oh how I once loved tuna salad Pork and lobsters, lamb chops too Till I stopped and looked at dinner From the dinner's point of view.
At 47, I can't write from the perspective of a 25-year-old anymore. My life has just changed too much and my environment around me.
I was too old, too young, too fat, too thin, too tall, too short, too blond, too dark - but at some point, they're going to need the other. So I'd get really good at being the other.
Days I enjoy are days when nothing happens, When I have no engagements written on my block, When no one comes to disturb my inward peace, When no one comes to take me away from myself And turn me into a patchwork, a jig-saw puzzle, A broken mirror that once gave a whole reflection, Being so contrived that it takes too long a time To get myself back to myself when they have gone.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
I feel like human beings can't help but destroy, but if our numbers are small we don't destroy as much as we do when our numbers are this huge and out of control. I wonder, what's the carrying capacity for human beings? When do we get to the point when we can't take it anymore, when it becomes too unpleasant to us just to be here because there's too many of us and there's no solitude anymore.
When you consider that there are a thousand ways to express even the simplest idea, it is no wonder writers are under a great strain. Writers care greatly how a thing is said - it makes all the difference. So they are constantly faced with too many choices and must make too many decisions.
Remember,too,that all who succeed in life get off to a bad start,and pass through many heartbreaking struggles before they "arrive". The turning point in the lives of those who succeed usually comes at some moment of crisis,through which they are introduced to their "other selves".
we live in a world of excess: too many kinds of coffee, too many magazines, too many types of bread, too many digital recordings of Beethoven's Ninth, too many choices of rearview mirrors on the latest Renault. Sometimes you say to yourself: It's too much, it's all too much.
I can only cook brown rice and vegetables, so I don't get too many people coming over for dinner parties or anything.
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
I've been asked to do small parts in films, but you know, what I've learned in the 12 Steps of Recovery is that for me, being a public person, is not a very healthy thing. There's too many drugs, too many jets, too many girls, too many parties. It's just not my lifestyle. I'm 58 years old. A good round of golf is about as exciting as my life gets.
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