A Quote by Lawrence Weiner

In my work, it's simultaneously realities, instead of parallel. Simultaneous avoids the problem of alternate reality. In parallel reality, there's always a hierarchy, and there doesn't necessarily have to be a hierarchy. When you're in a palace like Blenheim, you're supposed to be in awe - why not be in awe of something different than the stuff they're showing you? It's about finding your own existential place.
We were brought up in a world which was based on Aristotle. Science-wise and everything, that's really quite exciting and you learn a lot. There was one problem: there were parallel realities. And in a parallel reality, there's always one reality that's the prime and the second is always a secondary. And everything's a reflection of something else.
Technologies that may be realized in centuries or millennium include: warp drive, traveling faster than the speed of light, parallel universes; are there other parallel dimensions and parallel realities? Time travel that we mentioned and going to the stars.
As far as trying to make it terms of social hierarchy or status and all that in art and music - I've always felt that that stuff was bullshit. It's got very little to do with reality, and reality is where things live. You look at a painting and think, "Oh, it's beautiful. It inspires me," whatever. But it's never going to inspire you like reality. A lot of these artists and musicians who prioritize skill over experience, they sit around masturbating themselves over knowledge and intellect rather than just going to a place.
The only funny part about Colonial Dunsboro is maybe it's too authentic, but for all the wrong reasons. This whole crowd of losers and nutcases who hide out here because they can't make it in the real world, in real jobs โ€” isn't this why we left England in the first place? To establish our own alternate reality. Weren't the Pilgrims pretty much the crackpots of their time? For sure, instead of just wanting to believe something different about God's love, the losers I work with want to find salvation through compulsive behaviors.
Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.
Reality has become a parallel universe with photographers returning with different versions of what it truly looks like.
I think I'm most comfortable when I function in a parallel space that's not separate from political reality, but somehow comments on it from a different portal. The crisis in the Middle East has been ongoing and repetitive and I feel solutions on the ground have reached an impasse. It is somehow necessary to change the way we approach commentary on the subject. I do think that erecting a meta-space that functions according to its own autonomous abstractions and logic could be more effective in finding ways of dealing with the problem at hand, than using our standard tools of analysis.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
What one commonly takes as 'the reality,' including the reality of one's own individual person, by no means signifies something fixed, but rather something that is ambiguous - that there is not only one, but that there are many realities, each comprising also a different consciousness of the ego.
In our universe we are tuned into the frequency that corresponds to physical reality. But there are an infinite number of parallel realities coexisting with us in the same room, although we cannot tune into them.
Both abundance and lack exist simultaneously in our lives, as parallel realities. It is always our conscious choice which secret garden we will tend.
It {Darwin's theory of evolution] was a concept of such stunning simplicity, but it gave rise, naturally, to all of the infinite and baffling complexity of life. The awe it inspired in me made the awe that people talk about in respect of religious experience seem, frankly, silly beside it. I'd take the awe of understanding over the awe of ignorance any day.
Race is a lie built on a lie. The first lie is that people are different, somehow skin color or hair texture is more significant than eye color, or the shape of one's feet. The second lie built on top of that is that there's a hierarchy that more significant difference, the color showing up as brown on your skin rather than brown in your hair, or whatever, is somehow more significant and there's some sort of hierarchy. That the lighter you are, the straighter your hair, the better you are.
While many alternate reality stories ask, 'What might have been?' parallel universe stories literalize the war between good and evil that plays inside each of us every day. It's what makes this type of story so perfect for many fantasy tales: we're all just a coin flip away from being entirely different people.
I considered the case and realized that if something can exist in opinion without existing in reality, or exist in reality without existing in opinion, the conclusion is that of the two parallel lives, only opinion is necessary โ€“ not reality, which is only a secondary consideration.
To me, science fiction is about the sense of mystery, the sense of awe. Not 'shock and awe', just 'awe.'
This site uses cookies to ensure you get the best experience. More info...
Got it!