A Quote by Lawrence Weiner
We were brought up in a world which was based on Aristotle. Science-wise and everything, that's really quite exciting and you learn a lot. There was one problem: there were parallel realities. And in a parallel reality, there's always one reality that's the prime and the second is always a secondary. And everything's a reflection of something else.
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In my work, it's simultaneously realities, instead of parallel. Simultaneous avoids the problem of alternate reality. In parallel reality, there's always a hierarchy, and there doesn't necessarily have to be a hierarchy. When you're in a palace like Blenheim, you're supposed to be in awe - why not be in awe of something different than the stuff they're showing you? It's about finding your own existential place.
Everything that I've ever done is not really based on reality, it's the caricature of reality, which is what's really exciting.
I considered the case and realized that if something can exist in opinion without existing in reality, or exist in reality without existing in opinion, the conclusion is that of the two parallel lives, only opinion is necessary – not reality, which is only a secondary consideration.
Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story that you just can't make up.
Technologies that may be realized in centuries or millennium include: warp drive, traveling faster than the speed of light, parallel universes; are there other parallel dimensions and parallel realities? Time travel that we mentioned and going to the stars.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
Skepticism is only a time-based reality, and as an ultimate reality, it's always wrong, because everything always happens.
It was life under the Soviet system - we were struggling with every big problem. Publicly, my parents had to queue up to buy food, but were able to live secret lives in their private rooms. With the TV set in the living room, we were able to see Western pop culture -a different reality from what we were living. For me, it was like two different universes existed at the same time, and we got used to being in these parallel universes.
My work is always based on reality. I'm not an artist that creates works of fiction. I'm not an artist who is in my studio inventing things out of my imagination - everything is based on reality, on real facts.
The piano is where everything starts and ends. Everything is based off of it. If you understand that, you wind up understanding a lot more in all other instruments. For me, it had always been something important to try and learn.
As long as you identify with the universe - which is perfect and can correct material conditions to bring them back into alignment with that Divine perfection - as long as that is where your mind is aligned, it's as though there were two parallel universes. You decide with every thought you think which one you're going to inhabit. Two parallel universes of experience, as it were.
I find that when I play reality-based characters, it is only as fun for me if I have a lot of time to do research. If I don't it just isn't exciting but if I do, it can be fun because I can learn about that person and the world that they live in and I can become somebody else
I find that when I play reality-based characters, it is only as fun for me if I have a lot of time to do research. If I don't it just isn't exciting but if I do, it can be fun because I can learn about that person and the world that they live in and I can become somebody else.
I think my music ran parallel to a lot of people's lives. We were always chugging along in the background.
In our universe we are tuned into the frequency that corresponds to physical reality. But there are an infinite number of parallel realities coexisting with us in the same room, although we cannot tune into them.
Officials and journalists live in parallel but separate realities; they see and talk to each other, may have a meal and gossip together, but their worlds never touch, because officials use words that don't mean what they say, while for those reporters in Vietnam - Halberstam, Peter Arnett, Morley Safer, and others - words were vessels of reality.
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