A Quote by Lawrence Welk

I knew nothing of the life of a real musician, of course, but somehow I seemed to see myself standing in front of great crowds of people, playing my accordion. — © Lawrence Welk
I knew nothing of the life of a real musician, of course, but somehow I seemed to see myself standing in front of great crowds of people, playing my accordion.
I knew nothing of the real life of a musician, but I seemed to see myself standing in front of great crowds of people, playing my accordion.
I've wrestled in front of great crowds in Montreal, and I've wrestled absolutely terrible crowds where you're in front of, like, 200 people.
I still see myself as the kid who plays accordion and tries to keep people happy for 45 minutes. And there's nothing wrong with that.
I played for England at cricket and football. Playing at Wembley in front of 60,000 people seemed better than playing at Cirencester in front of my family and friends.
It seemed clear to me that life and the world somehow depended upon me now. I may almost say that the world now seemed created for me alone: if I shot myself the world would cease to be at least for me. I say nothing of its being likely that nothing will exist for anyone when I am gone, and that as soon as my consciousness is extinguished the whole world will vanish too and become void like a phantom , as a mere appurtenance of my consciousness, for possibly all this world and all these people are only me myself.
I knew how much it hurt to be the daughter of people who can't see you, not even if you are standing in front of them stomping your feet.
It was difficult to get into my friends' rock bands when I was a teenager. They somehow didn't see the need for an accordion player. That's when I realized that I had to find my own path in life.
Slowly, over time, I learned enough that I started considering myself a musician, where I actually knew how to play instruments. But still, when I talk to my real musician friends, they're calling chords out, and I have no idea what they're talking about.
I can say the people you see on TV are real-life individuals, not just people playing a role, myself included.
There's no better feeling than sitting on the team bus travelling to the Millennium Stadium knowing that the team will be playing in front of 74,500 people. You're driven through the crowds where you see the smiles on people's faces and I get a huge buzz out of that.
It is not a dreamlike state, but the somehow insulated state, that a great musician achieves in a great performance. He's aware of where he is and what he's doing, but his mind is on the playing of the instrument with an internal sense of rightness.
When Marconi suggested the possibility of wireless transmission of sound (the radio),he was committed to a mental institution. But people like Lincoln, Edison, and Marconi were strongly motivated. So they didn't give up. They somehow knew that the only real failure is the one from which we learn nothing. They seemed to go on the assumption that there is no failure greater than the failure of not trying, and so they continued to try in the face of repeated failures.
The accordion came from just having a desire to play music. Somehow, I have slowly taught myself.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
I stood looking down out of the window. The street seemed miles down. Suddenly I felt as if I'd flung myself out of the window. I could see myself lying on the pavement. Then I seemed to be standing by the body on the pavement. I was two people. Blood and brains were scattered everywhere. I knelt down and began licking up the blood and brains
Playing in front of millions of people erases everything I hate about myself. Nothing can hurt me.
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