A Quote by Lawrence Welk

If any performer has quality in his voice he can almost always be helped to develop all the other necessary attributes. — © Lawrence Welk
If any performer has quality in his voice he can almost always be helped to develop all the other necessary attributes.
I do not think that there is any other quality so essential to success of any kind as the quality of perseverance. It overcomes almost everything, even nature.
May your efforts to develop Christlike attributes be successful so that His image may be engraven in your countenance and His attributes manifest in your behavior
Bisexuality is almost a necessary factor in artistic production; at any rate, the tinge of masculinity within me helped me in my work.
I always give credit to Scotty 2 Hotty. He is an amazing teacher. I was in his class for, I want to say three months and I learned so much and he helped me grow, not only as a performer, but as a person. He was always there for me.
Grass probably helped me as much as it hurt me. Especially as a performer. When you're high, it's easy to kid yourself about how clever certain mediocre pieces of material are. But, on the other hand, pot opens windows and doors that you may not be able to get through any other way.
All attributes ascribed to God are attributes of His acts, and do not imply that God has any qualities.
Grass [marijuana] probably helped me as much as it hurt me. Especially as a performer. When you're high, it's easy to kid yourself about how clever certain mediocre pieces of material are. But, on the other hand, pot opens windows and doors that you may not be able to get through any other way.
I always knew where I was going eventually, so it helped me to stay at home for three years. It helped me to develop my game. But it also helped me off the ice. Life here is way different, and I was able to get older.
I grew up using hearing aids, and I had speech therapy and so forth, and that helped me to develop a passion for music and helped me to develop my drumming talents.
The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.
John [Lennon] as a singer - the way he sings on "Twist and Shout" and the way he sings on "Strawberry Fields Forever" - is a very odd voice, in the sense that it seems to be celebrating but almost mourning at the same time. There's a quality of mourning to his voice, which is very enigmatic.
I have a voice inside. A voice that I am forever trying to silence. A voice that calls me in when I want to be out, playing. A voice that is always sad. That is always terrified. That always wants to sit in the darkened room, away from noise and movement and colour - away from any experience that could prove to be challenging.
The first state an actor experiences onstage is the one he just experienced in life. One needs great courage not to portray this experience. One must surrender entirely to the power of one s artistic nature. It will do all the necessary things. Do not impose any solution upon yourself in advance. The quality to develop in an actor is courage.
Our second phase was to develop a school curriculum that teaches tolerance, respect for differences, conflict resolution, anger management, and other attributes of peace.
When I started covering The Beatles and The Rolling Stones in a rock 'n' roll band, it helped me realize that my natural voice is actually really high. It helped me find my voice.
My voice was pretty good almost all through Othello. Alexander Technique really helped my posture and focus.
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