A Quote by Lawrence Wright

When I went to Egypt right after 9/11 I was very upset. I used to live in Egypt. I had a lot of friends there. I spent two years teaching there. I had very fond feelings for that part of the world, and the fact that a culture I liked so much had attacked my own culture was really very upsetting to me.
The good thing about Egypt is, between the two World Wars, Egypt was - had a liberal society. It has a political life. It has parties. It was not - it was dysfunctional in many ways, but it was not a very repressive regime. Egypt, at one time, was the bellwether of the Arab world, was the trendsetter, created great culture, movies, cinema, you name it.
We immigrated when I was 3 1/2 years old, to Toronto. But I'm still very, very close to my culture and - back home in Egypt.
I lived in Greece for about four years of my life, and living there had a huge impact on my life growing up. My father was very much adamant that we would learn about our culture. It's a very rich culture to be a part of since it has such a great history behind it. I definitely carry that in my job, and I am very passionate.
It is a culture voice, but it is a very American culture voice, and I am very used to English culture voice. So I had to work like hell to flatten those R's.
My father wasn't much for show business. He was an insurance man - very well-liked, very warm. He had a lot of friends.
I had the French culture at school and I love this culture but I also had another culture at home - that of Senegal. I think this way of growing up has made me the person I am today - because I had the two cultures.
I was on 'Gilmore Girls' for seven years and had a couple decent years after that. Then, two years of almost nothing. I had jobs here and there, but I got very, very scared.
I think America is a new country. It is a young culture. The spirit of the opening of the West is still with the Americans. It's a very practical and individual-based kind of philosophy that had worked in America for a long time, had been very successful. And the spirit is very much there.
My mum had a very strong moral code, which I kind of came with. I never really had to be told what was right or wrong - I knew. I was very mature from early on and I was a very good girl, so she never had any trouble with me.
I have fond memories of growing up in beautiful England. It is very much a part of the fabric of me, even though I left when I was quite young. It's just a very different culture over there, filled with a profound depth of history.
All my friends in art school used to run around with this sort of what you call Beatles haircut. And my boyfriend then, Klaus Voormann, had this hairstyle, and Stuart liked it very, very much. He was the first one who really got the nerve to get the Brylcreem out of his hair and asking me to cut his hair for him.
I'd see my daddy about once a month, and I missed him. I would have loved to have had more of him. He was tall, attractive and very quiet, very gentle. He had a wife who I don't think ever really liked me much.
When I last went to Italy, over two years ago, I had a lot more trouble understanding the language than I used to when I lived there for a year. I used to speak very little but I could understand very well.
When I came back I had to realize that IC was not in a very good shape - all the much money that we had because of the huge Ideal success, was gone. I was very upset.
It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Being resourceful and creating is a big part of my Lithuanian culture. My grandfather is part of who I am, too. He was a professional wrestler. He had a very functional, very slick, long frame.
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