A Quote by Layne Staley

A lot of power-pop comes out of LA, a lot of speed metal comes out of New York. — © Layne Staley
A lot of power-pop comes out of LA, a lot of speed metal comes out of New York.
I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.
A lot of the point mags are going out of business. They dropped the pay tremendously and it's all because of the internet. I used to go out once a month to LA and shoot for one week. I'd make a ton of money then come back to New York and do whatever I wanted.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much, like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
I don't like to travel. I go out. When you do stand up, you travel a lot. Just working out. I don't really enjoy it. I like New York. There's nothing really like New York. Everything just becomes a worse version of New York.
There's a lot of theaters in New York. You can always go out and be around a lot of like-minded comedians.
When we were on the bus doing the Mr. Show Hooray for America Tour there was a lot of laughter and a lot of pot smoking and a lot of speed metal listening and video game playing. Of course that was all Brian Posehn.
New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
I'm in New York a lot. And every time I'm in New York, I'm out every night - it's a bit much. After a week, I'm ready to go home.
I grew up in LA, and I don't think I've seen LA onscreen in a way that felt real to me. There are definitely movies, but they are few and far between. I wanted to see a movie that was set in LA that wasn't about the film industry. LA is such a lonely place to be alone. In New York you can just walk out and be among people. You're on the subway among people, you go to cafés, you can talk to people. In LA, no one talks to each other, you're in your house, you're in your car, even when you take walks there's no one on the street.
New York and LA are both great places to visit, but I wouldn't want to live in either of them now. I find New York extremely claustrophobic and dirty. LA is quite a nice place. But there's no hustle and bustle, no street life.
The supporting thing can be harder to pop in and out of. The hardest thing is the people who have to come in and play, say, the bartender for a day - that's a lot harder than playing the lead role. You have to pop in and get it right. It's a lot of pressure to just pop in there and fit in and find your footing really fast.
I live in L.A. so I don't get to see much theatre anymore. They have a lot of touring shows but it's not like New York - I lived in New York for 15 years and you can walk out on the street and there's something to see.
This band is metal in that we have a lot of metal in our instruments, and there's quite a lot of metal on my belt buckle as well.
I have a feeling that the kids are slowly returning to the roots, with this new Metal trend. I can really feel there are a lot of exciting young bands doing kinds of underground Metal, which of course is a lot more dirty than the stuff that we do, but I like it all the same.
I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.
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