A Quote by Layne Staley

I was in a band when I was 15. We were a glam band. Then I couldn't afford to buy makeup. At the time that was the thing. — © Layne Staley
I was in a band when I was 15. We were a glam band. Then I couldn't afford to buy makeup. At the time that was the thing.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
I would join a band, learn from that band and be committed and passionate and bring my thing to the band. Then, when I felt like we were going to repeat ourselves, and I needed to learn more, I would go somewhere else.
I met the Santana band when I was 14. By the time I was 15, I was a member of the band.
I started an all-girl band called Helen when I was 15. It wasn't a precocious thing to do - everyone we knew was in a band, and all the bars and pubs in Leeds put on nights.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
When you first start a band all you think about and spend your time doing is writing songs, play shows, in the simplest way and the simplest formation of the band. It's about the gear, and that guitar that one day you will buy. It's a beautiful time. I'm grateful for having that time. Then life flips upside down, all of a sudden you are strapped to a rocket ship, you get a hit, then it is tough to keep grounded.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
If there's ever a kid out there that can't afford to buy the music, I still want them to hear it, and hopefully they'll go to the show, or buy a T-shirt from the band. That's the idea.
At the time of starting this band I was listening to tons of death metal. However, the bands that made me want to be in a band to begin with were groups like Korn, Deftones, Slayer, Sepultura... everything that my dad would buy and bring home to me and my brother saying 'Hey, listen to this'.
I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.
What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
A band like Avenged Sevenfold I've praised quite a bit publicly, because it's a band that has moved into that arena-size thing for a hard rock band.
I met The Beatles while we were playing in Germany. We'd seen them in Liverpool, but they were a nothing little band then, just putting it together. In fact, they weren't really a band at all.
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