A Quote by Layne Staley
I found out through the Internet that I have AIDS. I learned that I was dead. Where else would I find these things?
Related Quotes
A couple years ago, I felt like I was in a dead end, and I kept asking myself, "How do you get out of a dead end?" People would say the answer is, "You just turn around." But that was not the answer that I was going to accept. I realized, for me, that getting out of a dead end was literally the world turning upside down, and I had to fall out of the dead end. So you have to surrender, so I've really learned how to surrender, practice unconditional love. With my art, I've always put out things I love.
I find most of the things I've done through the Internet. I'm like, 'Oh, that's how that turned out! I look good!'
I found that pedals were too much to fool around with. You'd be halfway through a solo, and the batteries would go dead and conk out. And if you tread on the lead going to the pedal, something would always go wrong. Or some crazy kid would pull the lead out just at the moment when you're about to do your big number on it.
When I first found out I had HIV, I had to find somebody who was living with it, who could help me understand my journey and what I was going to have to deal with day-to-day. I found out that a person named Elizabeth Frazier was living with AIDS at the time, and so I called her up, and she took a meeting with me.
When my father died of AIDS, I knew I had to do everything in my power to prevent others from going through what he endured. I support AmFAR which provides funds for cutting edge AIDS research so we can find a vaccine and a cure.
Had I to give advice to writers (and I do not think they need it, because everyone has to find out things for himself), I would tell them simply this; I would ask them to tamper as little as they can with their own work. I do not think tinkering does any good. The moment comes when one has found out what one can do - when one has found one's natural voice, one's rhythm. Then I do not think that slight emendations should prove useful.
I was in bands, like everyone else, when I was 16, 17; I was a little skater listening to Dead Kennedy's and Steel Pole Bath Tub. It was through early 90s Hip Hop that I found my way to Soul and Funk, and then out the other side into beats.
I was introduced to the church through my parents but I had to struggle and find it on my own. In the end I learned much of my faith and found much of my strength through watching my father's and mother's journeys.
I would have rather been dead and laying on the battlefield dead than to find out later on that one of my men were killed and didn't have me, their medic, to somehow get them out of the danger and into the safety of the perimeter.
Dead people never seem to address the obvious - the things you'd think they'd be bursting to talk about, and the things all of us not-yet-dead are madly curious about. Such as: 'Hey, where are you now? What do you do all day? What's it feel like being dead? Can you see me? Even when I'm on the toilet? Would you cut that out?'
AIDS is big business, maybe Africa's biggest business. There's nothing else that can generate as much aid money as shocking figures on AIDS. AIDS is a political disease here, and we should be very skeptical.
The best way to deal with AIDS is through education. So we need a really widespread AIDS education program. In fact, what we need in Burma is education of all kinds - political, economic, and medical. AIDS education would be just part of a whole program for education, which is so badly needed in our country.
Eventually, to get through school, I would make good meaningless blobs if I had to. And so they thought I was falling in with them and stuff like that. But on the playground, kids would come up to me and say, "I need three Supermans and a Captain Midnight by four o'clock because I'm going to sell them to somebody else." So I'd take all their lunch money and whip these things out, and they'd have to stick them in their underwear to get the pictures home, because if the teacher ever found out about that.
By the time we hit fifty, we have learned our hardest lessons. We have found out that only a few things are really important. We have learned to take life seriously, but never ourselves.
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
I think the Internet is a key driver of opening up opportunities, which impacts many things, including development - I will repeat that I am not a fan of looking at technology or the Internet in Africa through the lens of development - we love the Internet for sake of the Internet.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician