A Quote by Le Corbusier
When does a building actually become a built?
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One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
There were never a lot of attacks on my work. We were building more parks than were ever built in the city, building more recreation centers, fixing more streets. We had national events, the Super Bowl, the (Major League Baseball) All-Star game, Final Four. We built seven hotels. The city hadn't built a hotel in 20 or more years.
A building does not have to be an important work of architecture to become a first-rate landmark. Landmarks are not created by architects. They are fashioned by those who encounter them after they are built. The essential feature of a landmark is not its design, but the place it holds in a city's memory. Compared to the place it occupies in social history, a landmark's artistic qualities are incidental.
Any housing solution that involves paying for industrially produced building materials and commercial building contractors is doomed to certain failure. If houses are to be built at all, in sufficient quantity, they must be built without money. We must go right outside the framework of the money system, bypass the factories, and ignore the contractors.
If the building of a bridge does not enrich the awareness of those who work on it, then the bridge ought not to be built.
I think what we all have to do is make this big leap towards renewables. And it has to be a solution where you're actually building the answer; and it has to be built faster than the natural gas industry can build their answer.
I've become invested with this symbolic power. It really does transcend what I'm actually doing and what I actually deserve.
An interesting opportunity is actually not just thinking about building organs for patients, but actually building little tiny organs that you could do drug screening on.
The philosopher believes that the value of his philosophy lies in the whole, in the building: posterity discovers it in the bricks with which he built and which are then often used again for better building: in the fact, that is to say, that building can be destroyed and nonetheless possess value as material.
Live, or die: mere consequences of what you have built. What matters is building well. So here we are, I've assigned myself a new obligation. I'm going to stop undoing, deconstructing, I'm going to start building. What matters is what you are doing when you die... I want to be building.
They have actually approved a wall to certain portions of the border that hasn't even been built yet. So you could take a year building that out with what has been approved.
When the National Theatre was built, it was a public building. If you wander round that building now, there are bits hived off for people who pay more money. That's happening across the arts.
The good building is not one that hurts the landscape, but one which makes the landscape more beautiful than it was before the building was built.
Back in the 1500s, the culture that we had built in the West embraced multigenerational projects quite easily. Notre Dame. Massive cathedrals were not built over the course of a few years, they were built over a few generations. People who started building them knew they wouldn't be finished until their grandson was born.
When you are 'world building,' people will oftentimes judge how well you built your world. They want to know: Is the culture believable? Does it feel like it has a history? I try very hard to pay attention to details.
Why can't we, with a more intelligent policy, actually have houses that are affordable, built at higher densities than they are at the moment and built on brownfield sites.
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