A Quote by Le Corbusier

The materials of city planning are: sky, space, trees, steel and cement; in that order and that hierarchy. — © Le Corbusier
The materials of city planning are: sky, space, trees, steel and cement; in that order and that hierarchy.
My hometown is a very boring city. There isn't a lot of industry - there are a lot of trees. It's not like Beijing where the sky is always dark. In my city the sky is blue and the sun shines.
Winter came and the city [Chicago] turned monochrome -- black trees against gray sky above white earth. Night now fell in midafternoon, especially when the snowstorms rolled in, boundless prairie storms that set the sky close to the ground, the city lights reflected against the clouds
There are no medium-sized trees in the deep forest. There are only the towering ones, whose canopy spreads across the sky. Below, in the gloom, there's light for nothing but mosses and ferns. But when a giant falls, leaving a little space ... then there's a race - between the trees on either side, who want to spread out, and the seedlings below, who race to grow up. Sometimes, you can make your own space.
Yellow melon flowers Crawl beneath the withered peach-trees; A date-palm throws its heavy fronds of steel Against the scoured metallic sky.
World's flying like birds; my car's in flight. The city lights are spattered on my windshield like the fragments of the night. And I'm in flight. The sky's a wheel, a merry-go-round of wings and snow and steel, and fire. We'll tread the sky, we'll ride the scarlet horses.
When I was four, I was a kind of sky worshipper. I would look at the sky, and I wanted to evaporate into the sky - I loved the sky. I loved looking at the trees, just because they touched the sky.
I've sucked way too much cement for this year. Bad juju rising off them city sidewalks. I need to babble with a brook or two, inhale starlight, make friends with some trees.
I didn't jump a lot of trees because I didn't like heights. I liked getting a mirror and walking around with it facing the sky. I'd imagine I was walking in the tops of the trees and falling into the sky, or walking up the stairs whilst going down.
If we discovered that, you know, space aliens were planning to attack and we needed a massive buildup to counter the space alien threat and really inflation and budget deficits took secondary place to that, this slump would be over in 18 months. ... There was a Twilight Zone episode like this in which scientists fake an alien threat in order to achieve world peace. Well, this time, we don't need it, we need it in order to get some fiscal stimulus.
You know Balbec so well - do you have friends in the area?' I have friends wherever there are companies of trees, wounded but not vanquished, which huddle together with touching obstinacy to implore an inclement and pitiless sky.' That is not what I meant,' interrupted my father, as obstinate as the trees and as pitiless as the sky.
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
In the hierarchy of public lands, national parks by law have been above the rest: America's most special places, where natural beauty and all its attendant pleasures - quiet waters, the scents of fir and balsam, the hoot of an owl, and the dark of a night sky unsullied by city lights - are sacrosanct.
I come from a place where you have a lot of sky. But [in New York City] you have to really look up to realize that there is eventually sky, somewhere. ...Sky is not a common commodity.
The strengths landscape architecture draws from its garden design heritage include: the Vitruvian design tradition of balancing utility, firmness and beauty; use of the word 'landscape' to mean 'a good place' - as the objective of the design process; a comprehensive approach to open space planning involving city parks, greenways and nature outside towns; a planning theory about the contextualisation of development projects; the principle that development plans should be adapted to their landscape context.
The sky is no longer out there, but it is right on the edge of the space you are in. The sense of colour is generated inside you. If you then go outside you will see a different coloured sky. You colour the sky.
The temple of truth is built indeed of stones of crystal, but, inasmuch as men have been concerned in rearing it, it has been consolidated by a cement composed of baser materials.
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