A Quote by Le1f
Whether or not I can get an interview from hip-hop media, that's not going to effect whether or not I can go on tour in Asia and Europe and see all of these different places and experiences.
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You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.
I tour whether I have album out or not. I tour more than any other hip-hop artist.
Ever since I was a kid, I was always a fan of hip hop. If you get your limelight whether your sixteen or twenty-one or wherever you're at, you get your lime when you get your lime, but if you're a part of hip hop and a child of hip hop, then you will always be a part of hip hop.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
I wake up hip-hop,
Go to sleep hip-hop,
Dream 'bout hip-hop,
'Cause I AM HIP-HOP.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
You can't argue that hip-hop rots away the moral character of kids or rots their brain and still see middle-class white kids going to college who are listening to hip-hop. Going on to become healthy adults listening to hip-hop.
That's why this generation is the least racist generation ever. You see it all the time. Go to any club. People are intermingling, hanging out, having fun, enjoying the same music. Hip-hop is not just in the Bronx anymore. It's worldwide. Everywhere you go, people are listening to hip-hop and partying together. Hip-hop has done that.
I love that hip-hop can still provide jobs for niggas to get money and to put their crew on. I would never say that hip-hop is going down. It's cool, but it needs an adjustment. I think that hip-hop just needs a little fine-tuning.
I'd like to see people pay attention to the science of hip hop. The knowledge part, the political side of what hip hop could do, or where hip hop is gonna go. I always say it's gonna become universal as we become a galactic union.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Some artists are definitely trying to do different styles. Some, not a lot. But even from what you've seen [of] Outkast, Kanye West, and Lil' Wayne, and different people expressing their way of evolving in hip-hop. In the evolution of hip-hop, they're doing different things. And you've seen hip-hop have more of a global presence and impact on the world.
I have always touched on different genres whether it has been hip-hop, country and the rock element.
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