A Quote by Le1f
The scene at a certain time was definitely boys; those huge warehouses were kind of violent parties, even. I think people in your immediate community made a nightlife scene that actually did break down gender roles and were along different lines of identity that had to do with race and experience in the '90s, rather than gender.
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I sort of throw away the definitions of gender - that boys are 'supposed' to wear blue and girls are 'supposed' to wear pink - and those gender roles and gender presentations. I do it on my own terms rather than based on what other people say I should do.
Gender is not something that one is, it is something one does, an act... a "doing" rather than a "being". There is no gender identity behind the expressions of gender; that identity is performatively constituted by the very "expressions" that are said to be its results. If the immutable character of sex is contested, perhaps this construct called 'sex' is as culturally constructed as gender; indeed, perhaps it was always already gender, with the consequence that the distinction between sex and gender turns out to be no distinction at all.
I think one of the biggest misconceptions is that only gender non-conforming, non-binary, or trans people have a gender identity. But the truth is, everyone has a gender identity.
Race and gender definitely came up, occasionally, in my life at work. But the bigger challenge that I had was age. I took roles earlier in my career than people expected, and so a lot of what I got was, 'Do you actually know enough to do this?'
We did monologues and scenes, and New York I did a scene from Amadeus and a monologue from Pounding Nails in the Floor With My Forehead by Eric Bogosian, and then in L.A. I switched the scene to This is Our Youth and did the same monologue. I was spiky-haired, super skinny. A lot of people were like, "You should come here and do a sitcom." That was the feedback that I got. Obviously it was quite a different journey than the one I've actually had, but I just listened to people.
In my early 20s, I set out to kind of find myself. At that time, if you were different or if you ever questioned your gender identity or sexual orientation, society kind of put you in the gay club.
To some extent at that time, we injected rock and roll into that scene- we played loud and that was a huge turning point for that scene. We were involved in playing with all those people.
I don't think the people run to the polls and vote simply on the basis of identity. Yes, it is a factor, of course we all know that. It's also ethnicity, gender, and gender identity. People do take those factors into account.
Someone who is experiencing gender dysphoria would be someone who feels that his biological sex doesn't match up with the gender that he feels. So, I might feel like I am a woman trapped in a male body, and you can imagine how horrible that would be to have that kind of experience or to think that you're a man trapped in a woman's body. It must be just a terribly difficult experience for those who experience gender dysphoria. But this is not anything to do with homosexual attraction or activity. It's a matter of one's self-perceived identity.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
Regardless of your religious belief, race, ethnicity, gender, sexual orientation, or gender identity, there is no place in our communities for hate.
My conception around being a woman in 2016 has definitely been shifting over the past year, because I feel like I'm proud of womanhood, and I feel attached to it, and at the same time I'm someone who doesn't believe in having a gender binary, and so often times I separate those two concepts in my mind - the concept of being a woman and the concept of being a girl or being female, being kind of attached to a certain gender identity.
It's my view that gender is culturally formed, but it's also a domain of agency or freedom and that it is most important to resist the violence that is imposed by ideal gender norms, especially against those who are gender different, who are nonconforming in their gender presentation.
I met people on college campuses who were defining themselves as genderqueer to express revolutionary feelings, or to communicate their individuality; they were gender fluid without being gender dysphoric. This phenomenon may be culturally significant, but it has only a little bit in common with the people who feel they can have no authentic self in their birth gender.
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
I once asked Myung Mi Kim where gender is located in her work, and she said simply, "it's everywhere," resisting the notion that gender needs to be overly inscribed into the text with some kind of message. Hers is the kind of work that has most influenced how I make poetry - the idea that we don't need to enclose or nail down gender or race, for that matter.
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