A Quote by Lea Michele
The only crush I have is on Chris Colfer. I’m madly in love with him… I just, like, I doodle in my prop notebooks, ‘I heart Chris Colfer’ over and over and over again.
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I was consumed by my love for Chris Colfer, and I just couldn't hold it in any longer.
If anything’s going on in our lives, we have each other. One time, I was having a bad day, and I called Chris Colfer. He came over with a pint of ice cream and Madea Goes to Jail, and it was, like, the best night of my life.
Chris Colfer... he's like a... playful wood-nymph.
I've been lucky enough to work with the amazing Golden Globe Award winning Chris Colfer and that is fantastic. I get to work with him on a day-to-day basis and he is such a generous talent. Chris and I like to play. He always throws me things and I ping them back to him and it's really fun. We definitely have a very lovely rapport personally - I think on screen too - and I hope you can see that in the characters.
Chris Cooper once told me to never have any regrets. After Chris said that to me, I walk into every scene thinking, 'exhaust every possibility.' Once you get to a certain place, it's like you just deliver everything you've got. Don't have any regrets. It pops up in my mind over and over and over again.
Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.
I think I’m his biggest fan. Like, I’m really sorry everybody out there but you have a tough time beating me. I’m like the number one Chris Colfer fan club.
I have so many [on-set Glee BFFs]. I love Kevin (McHale). I love Amber (Riley); Amber and I are essentially the same person, even though one’s fiercer than the other—don’t tell her it’s me. I love Chris Colfer, he’s a gem. Melissa (Benoist) and Blake (Jenner), I love them. We’re such a tight-knight family because we spend so much time together.
I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.
The phone rang, picked up, and the same male voice announced, “Chris Powers." "Hey there, Chris. Are you aware it's a felony to make threats over the phone?" To give Powers his fair due, he got over his shock within a split second. “Try it, asshole. I dare you. My lawyers will have you for lunch.” He clicked off again. I did what any red-blooded American male would do. I called my big, ex-cop ex-boyfriend.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
There was this whole middle time that only Chris Rock came out of, you know, 10 years ago it was Chris and a few other people, but that's about it. Chris is in a class of his own; I don't see another comedian who I put in high regard as him.
I'm not particularly good at doodling. I'll doodle the same face over and over again.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
Cassandra sat on the floor with Chris and Kat, playing Life. They had tried to play Trivial Pursuit earlier only to learn that a Dark-Hunter and an immortal handmaiden to a goddess had a decidedly unfair advantage over Cassandra and Chris. In Life, the only thing that mattered was luck.’ (Cassandra)
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
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